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Exhibitions

Hostile Terrain 94

January 12 – March 14, 2026
Reception on Tuesday, February 10, 1030am-2pm
Exhibition walk-through with Dr. Jason De Léon and Michael Wells from 1030-1130am
Book sale & signing from 1130-1230pm
Reception from 1230-2pm

Exhibition Guide (PDF online)

Description

In 1994, the United States Border Patrol formally implemented the immigration enforcement strategy known as “Prevention Through Deterrence.” This was a policy designed to discourage undocumented migrants from attempting to cross the US-Mexico border near urban points of entry. Instead, closing off these historically frequented crossing points would funnel individuals through more remote and depopulated regions, such as the Sonoran Desert of Southern Arizona. According to the NIH, since 1994, more than 5,000 people have died during the perilous journey.

Hostile Terrain 94 is a powerful participatory map installation and exhibition created by the Undocumented Migration Project, a non-profit research and arts-education collective. This exhibition seeks to humanize and bring visibility to the harsh realities of the U.S.–Mexico border, where migrant deaths have occurred almost daily since 1994. At the heart of the installation are handwritten toe tags, each representing a person who lost their life while attempting the crossing. As participants complete the tags and view the accompanying maps, photographs, and personal artifacts, they are invited to examine the human cost of border enforcement and reflect the broader implications of current immigration policies.


Recent Past

Radical Geographies:
possibilities of the imaged landscape

Curated by Tamara Cedré
September 2- November 8, 2025
Exhibition Preview on Monday, September 15 from 10am-noon
Reception for the artists on Saturday, October 4 from 11am-1pm

Exhibition Guide (pdf)

Artists

Francis Almendárez
Lindsay Buchman
Katrina Bello
Jenny Calivas
Alex Delapena
Tarrah Krajnak
Lacey Lennon

Description

Historically, land has been wielded in the service of power for exploration, extraction and conquest. The advent of the camera legitimated this speculation and capture with the click of a shutter. But, can photography rupture this cycle and reconnect us with the endangered ecologies that surround us?

This group of artists propose radical geographies, rendering land as a politically charged locus of negotiation, mediating the site of their environs with the sight of their camera to posit questions about our ontological connection to the landscape and envisioning new ways of stewarding it into the future.

Gallery

  • Installation view of Radical Geographies: possibilities of the imaged landscape. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Tarrah Krajnak. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Jenny Calivas and Tarrah Krajnak. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Tarrah Krajnak. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Tarrah Krajnak, A Forestpath (after V. Burgin’s Photopath), Printed at a 1:1 Scale of the Forest Floor, Post-Dolan Fire, Landels Hill Big Creek Reserve, Big Sur, CA, March, 2022, 2022. Silver gelatin prints (1 AP). 16 x 20 inches each. Courtesy of the artist and Galerie Thomas Zander. Photography by Cindy Dillingham.
  • Tarrah Krajnak, A Forestpath (after V. Burgin’s Photopath), Printed at a 1:1 Scale of the Forest Floor, Post-Dolan Fire, Landels Hill Big Creek Reserve, Big Sur, CA, March, 2022, 2022. Silver gelatin prints (1 AP). 16 x 20 inches each. Courtesy of the artist and Galerie Thomas Zander. Photography by Cindy Dillingham.
  • Tarrah Krajnak, To Walk on a Forestpath (Video Performance #2), Eugene, OR, September, 2023, 2023. Video. TRT: 0:36. Courtesy of the artist and Galerie Thomas Zander. Photography by Cindy Dillingham.
  • Tarrah Krajnak, To Walk on a Forestpath (Video Performance #2), Eugene, OR, September, 2023, 2023. Video. TRT: 0:36. Courtesy of the artist and Galerie Thomas Zander. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Alex Delapena, Sugarcane 02, 2022. Archival inkjet prints mounted on dibond, wood. 62 x 21 x 16 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Alex Delapena, Sugarcane 02, 2022. Archival inkjet prints mounted on dibond, wood. 62 x 21 x 16 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Alex Delapena, Sugarcane 02, 2022. Archival inkjet prints mounted on dibond, wood. 62 x 21 x 16 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Alex Delapena and Tarrah Krajnak. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Alex Delapena, Bango Altar 01, 2022. Archival inkjet print mounted on dibond (Ed of 2, 1 AP). 41 x 31 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Alex Delapena, Lay in the Cane Field Under the Bango Moon, 2022. Archival inkjet print mounted on dibond (Ed of 2, 1 AP). 53 x 40 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Alex Delapena. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Alex Delapena. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Alex Delapena, Sugarcane Stock 02, 2022. Archival inkjet print on dibond, dried clay on acrylic, artist frame. 61 x 10 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Alex Delapena and Katrina Bello. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Katrina Bello, Lupain, 2022. Charcoal and pastel on paper. 60 x 100 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Katrina Bello, Colliding, 2025. Rocks, tree bark, ceramics, ink, watercolor, 3D print. Courtesy of the artist. Photography by Cindy Dillingham
  • Katrina Bello, Lupain (Disyerto sa Umaga 1), Lupain (Disyerto sa Umaga 2), and Lupain (Disyerto sa Umaga 3), 2023. Metal prints. 5 x 7 inches each. Courtesy of the artist. Photography by Cindy Dillingham.
  • Katrina Bello, Lupain (Disyerto sa Umaga 4) and Lupain (Disyerto sa Umaga 5), 2023. Metal prints. 5 x 7 inches each. Courtesy of the artist. Photography by Cindy Dillingham.
  • Katrina Bello, Lupain (Posoge/Bughaw) and Lupain (Posoge/Berde), 2023. Metal prints. 5 x 7 inches each. Courtesy of the artist. Photography by Cindy Dillingham.
  • Katrina Bello, Lupain (Sophia, Kai, Kamilla), 2025. Video (silent). TRT 2:26. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello, Alex Delapena, and Lacey Lennon. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Lacey Lennon. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lacey Lennon, Blind Chess (Moving Through), 2024. Archival pigment print. 9 1/2 x 11 ¾ inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lacey Lennon, Blind Chess (Listening To Notes) and Blind Chess (Resting), 2024. Archival pigment prints. 11 3/4 x 9 ½ inches each. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lacey Lennon, Blind Chess (Refinery), 2024. Archival pigment print. 11 3/4 x 9 ½ inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lacey Lennon, Blind Chess (Tunnel), 2024. Archival pigment print. 9 1/2 x 11 ¾ inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lacey Lennon, Blind Chess (Eyes Closed) and Blind Chess (Hands Over Head), 2024. Archival pigment prints. 11 3/4 x 9 ½ inches each. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello, Alex Delapena, and Lacey Lennon. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Lindsay Buchman, Alex Delapena, and Lacey Lennon. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Lindsay Buchman. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Todo Everything (sky, plant, ground), 2025. Silver gelatin lumen prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Stratagems (Orange County), 2021-25. Installation with HD video & Super 8, diegetic sound, projection on scrim & plywood, archival inkjet prints & silver gelatin prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Lindsay Buchman, Todo Everything (sky, plant, ground), 2025. Silver gelatin lumen prints. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Lindsay Buchman. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Lindsay Buchman, Alex Delapena, and Lacey Lennon. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Katrina Bello, Lindsay Buchman, and Alex Delapena. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Lindsay Buchman and Jenny Calivas. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Jenny Calivas. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Jenny Calivas, Birth Rehearsal #1, 2021. Silver gelatin print. 20 x 24 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Jenny Calivas, Birth Rehearsal #5, 2021. Archival inkjet print. 30 x 40 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Jenny Calivas, Birth Rehearsal #2, 2021. Silver gelatin print. 20 x 24 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Jenny Calivas, Beginner (As Diatom Scuzz #12), 2021. Silver gelatin print. 24 x 20 inches. Courtesy of the artist. Photography by Cindy Dillingham.
  • Installation view of Radical Geographies: possibilities of the imaged landscape, featuring Jenny Calivas and Tarrah Krajnak. September 2 – November 8, 2025. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Photography by Cindy Dillingham.
  • Francis Almendárez, Mountain, 2013. Single-channel video. TRT 2:11. Courtesy of the artist. Photography by Cindy Dillingham.
  • Francis Almendárez, Mountain, 2013. Single-channel video. TRT 2:11. Courtesy of the artist. Photography by Cindy Dillingham.
  • Francis Almendárez, Untitled (Van Nuys Blvd.), 2013. Single-channel video. TRT 6:05. Courtesy of the artist. Photography by Cindy Dillingham.
  • Francis Almendárez, Untitled (Van Nuys Blvd.), 2013. Single-channel video. TRT 6:05. Courtesy of the artist. Photography by Cindy Dillingham.
  • Francis Almendárez, Denim Terrains #1, 2025. Single-channel video. TRT 3:15. Courtesy of the artist. Photography by Cindy Dillingham
  • Francis Almendárez, Denim Terrains #1, 2025. Single-channel video. TRT 3:15. Courtesy of the artist. Photography by Cindy Dillingham