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Wignall Museum of Contemporary Art build

Exhibitions

NOTE:

The Wignall Museum will be closed
9/21 (Thursday)
10/12 (Thursday)
11/10 (Friday) for Veterans Day


Seeing the Unseen: Science + Art

August 21 - November 18, 2023 
Wignall Museum of Contemporary Art 

Reception on August 29 from 4-6pm


Image of the exhibition poster for "Seeing the Unseen"

Exhibition Guide

Image of the calendar of programming for "Seeing the Unseen"

Programming


Exhibition Description

Seeing the Unseen: Science and Art is a group exhibition featuring works of art that investigates the intersections of the sciences and the arts. The work asks several prescient questions including: Why do artists engage with science? Why are scientists interested in visual or creative representations of their work? Are these collaborations creating clarity or new access points for information in the STEM fields? Are artists expressing and making visible the work of scientists and science? The exhibition further attempts to increase our understanding of how art and science influence each other. Artists engage in new methods of scientific research in their rigorous and awe-inspiring works of art.

Seeing the Unseen: Science and Art is the first of two exhibitions presented during the 23-24 academic year that explores the intersections of the arts and STEM. Both exhibitions are presented in collaboration with the STEM Academic and Career Community. The fall exhibition is curated by Professors Joann Eisberg, Robin Ikeda, Mark Padilla, and Wignall Museum Director and Curator, Rebecca Trawick.

Featured Artists

David Bowen
Hannah Chalew
Catherine Chalmers
Maru García
David S. Goodsell
Lia Halloran
Juniper Harrower
Elizabeth Hénaff
Karey Kessler
Laura Splan


  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations (cubehelix): 5000,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), detail of "Tangible Variations (cubehelix): 5000,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations (cubehelix): 5500,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), detail of "Tangible Variations (cubehelix): 5500,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations (cubehelix): 6000,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), detail of "Tangible Variations (cubehelix): 6000,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), "Tangible Variations (cubehelix): kymograph,” 2022.
Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • Laura Splan (in collaboration with Adam Lamson), detail of "Tangible Variations (cubehelix): kymograph,” 2022. Computerized Jacquard cotton weavings. 54 x 54 inches. This work was made possible by the Simons Foundation.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. Karey Kessler, 2022. Watercolor and ink on Hanji paper on panel.
  • Karey Kessler, “The Mystery,” 2022. Watercolor and ink on Hanji paper on panel. 24 x 36 inches.
  • Karey Kessler, “A Viciously FRAGILE Environment,” 2022. Watercolor and ink on Hanji paper on panel. 30 x 40 inches.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA. David S. Goodsell, 2020. Watercolor on paper.
  • David S. Goodsell, "Phage-based COVID-19 Vaccine," 2020. Watercolor on paper. 20 x 20 inches (framed).
  • David S. Goodsell, "Respiratory Droplet," 2020. Watercolor on paper. 30 x 23 inches (framed).
  • David S. Goodsell, "Coronavirus," 2020. Watercolor on paper. 20 x 20 inches (framed).
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Juniper Harrower, “Botanical Entanglements,” 2022.Silk, ink, cochineal dye. 42 x 15 inches each. Collaborative research with Benjamin Blonder's UC Berkeley lab.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Maru García, "Vacuoles: Bioremediating Cultures," 2019. Installation with video and twenty-nine ceramic pieces containing lead-contaminated soil. Dimensions variable.
  • Maru García, "Vacuoles: Bioremediating Cultures," 2019. Installation with video and twenty-nine ceramic pieces containing lead-contaminated soil. Dimensions variable.
  • Maru García, "Vacuoles: Bioremediating Cultures," 2019. Installation with video and twenty-nine ceramic pieces containing lead-contaminated soil. Dimensions variable.
  • Maru García, "Vacuoles: Bioremediating Cultures," 2019. Installation with video and twenty-nine ceramic pieces containing lead-contaminated soil. Dimensions variable.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Juniper Harrower, “Gazing on the Past,” 2023. Microscope slide, ink, digitally altered historic image of Rancho Cucamonga, cochineal dye, silk string. 1 x 4 inches.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Hannah Chalew, “Study for Structural Trap,” 2021. Iron oak gall ink, ink made from shells on paper made from sugarcane combined with shredded disposable plastic waste ("plasticane"). 33 x 25 inches.
  • David Bowen, “46°41'58.365" lat. -91°59'49.0128" long. @ 30m.,” 2014. CNC carved acrylic. 6 x 6 x 6 inches each.
  • David Bowen, “46°41'58.365" lat. -91°59'49.0128" long. @ 30m.,” 2014. CNC carved acrylic. 6 x 6 x 6 inches each.
  • David Bowen, detail of “46°41'58.365" lat. -91°59'49.0128" long. @ 30m.,” 2014. CNC carved acrylic. 6 x 6 x 6 inches each.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Elizabeth Hénaff and Living Interfaces Lab, "GENE ZINE,” 2018-2023. 8.5 x 11 inches (flat).
  • Elizabeth Hénaff and Living Interfaces Lab, "GENE ZINE,” 2018-2023. 8.5 x 11 inches (flat).
  • Elizabeth Hénaff and Living Interfaces Lab, "GENE ZINE,” 2018-2023. 8.5 x 11 inches (flat).
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Lia Halloran, "Magellanic Clouds, After Henrietta Swan Leavitt," 2016. Cyanotype on paper from painted negative (edition 1/2). 46 x 76 inches (framed). Courtesy of the artist and Luis De Jesus Los Angeles.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Hannah Chalew, “Solastalgia,” 2018. Pen and ink on paper made from trash and abaca. 84 x 84 inches.
  • “Seeing the Unseen: Science and Art,” 2023. Wignall Museum of Contemporary Art at Chaffey College, Rancho Cucamonga, CA.
  • Catherine Chalmers, “Leafcutters,” 2017. Video. 17:26 minutes.
  • Catherine Chalmers, “Leafcutters,” 2017. Video. 17:26 minutes.
  • Catherine Chalmers, “Leafcutters,” 2017. Video. 17:26 minutes.
  • Catherine Chalmers, “Leafcutters,” 2017. Video. 17:26 minutes.
  • Catherine Chalmers, “Leafcutters,” 2017. Video. 17:26 minutes.
  • Catherine Chalmers, “Leafcutters,” 2017. Video. 17:26 minutes.

 


Programming

All programs are free and open to the public.

Seeing the Unseen Reception

Tuesday, August 29 from 4-6pm 
Wignall Museum of Contemporary Art

Book Signing & Pop-up
Forager: Field Notes for Surviving a Family Cult
Author and Professor Michelle Dowd

Tuesday, August 29 from 4-6pm
Wignall Museum of Contemporary Art
*Book copies will be available for sale at the event.

Film Screening & Discussion
Kiss the Ground

Wednesday, September 20 from 12-2pm
WH-142

Lecture & Workshop
A Ruler to Measure the Universe:
Henrietta Leavitt, Cepheid Stars and the Magellanic Clouds

Monday, September 25 from 230-5pm
CAA-211

Panel Discussion
Beyond the Horizon: 
Navigating the Radical Landscape of AI

Wednesday, September 27 from 3-430pm
LI-8 or https://tinyurl.com/Wignall-Talk-NavigatingAI

Lecture
Evolutionary Ecology:
Juniper Harrower & Benjamin Wong Blonder with Professor Chamberlain

Monday, October 2 from 930-1030am
WH-142

Performance
Theatre + Art:
Stage Reading of The Burlesque Astronomy Play

Wednesday, October 4 from 1230-3pm
Planetarium
FREE tickets: https://www.tix.com/ticket-sales/chaffeyboxoffice/5569

Panel Discussion
Am I? Unveiling the Illusion of Individuality

Tuesday, October 10 from 1030-1230pm
CAA-218

Workshop
Día de los Muertos:
Make Your Own Calaveras

Wednesday, October 11 from 12-2pm
CAA-210

Workshop
Shades of Blue:
Improvising with Cyanotype

Wednesday, October 18 from 1230-230pm
CAA-210

Workshop
What is SI and How Do I Apply?

Wednesday, October 25 from 1230-2pm
ONLINE via Zoom
REGISTER: https://tinyurl.com/SI24-InfoSession

Workshop
Drop-in Zine Making Session

Wednesday, November 8 from 1230-2pm
CAA-210

Lecture
Hannah Chalew with Professor MacDonald

Wednesday, November 8 from 530-730pm
HS-143

Performance
Music + Art

Monday, November 13 from 1230-2pm 
Wignall Museum of Contemporary Art


Past

Reunion

January 9 – March 11, 2023
Wignall Museum of Contemporary Art

Reception on January 24 from 4-7pm (PST)

Exhibition Guide
Schedule of Programming
Programming Poster
PRINT Exhibition PDF

The ongoing global pandemic has left communities living, working, and interacting differently from pre-pandemic times. As Chaffey College continues to move towards more open campuses, the Wignall Museum presents an exhibition that reminds us all of the continued creativity of the Chaffey College community and that introduces students to the skills and abilities of our faculty and staff in the Arts, Communication, and Design (ACD) Academic and Career Community (ACC). Discipline areas from the ACD Degrees and Certificates that are represented in the exhibition include English, Journalism, Studio Art, ESL, Theatre Arts, Art-Ceramic Studio, Dance, Graphic Design for Digital Media, Broadcasting and Cinema, and Photography.

Reunion proudly presents recent work from faculty and staff within the ACD ACC. The work artists have selected to share in the exhibition may or may not be directly pandemic-related, but all of the work was created within the last three years.  For many students, spring term 2023 may be the first time they are taking courses on the campus in a face-to-face modality. For others, spring term may represent a return to Chaffey College. Regardless, Reunion presents an opportunity to come together around the innovation, the artistry, and the expertise found in the Arts, Communication, and Design community at Chaffey College. 

Reunion features: Brody Albert, Cabrina Alviar, Mark Batongmalaque, Mary Beierle, Brian Benfer, Brice Bischoff, Haylee Bolinger, Jason Charles Dawes, Michelle Dowd, Kevin Eichorst, Charity Capili Ellis, Megan Fowler-Hurst, Kent Hammond, Stanton Hunter, Daniel Jacobo, Cj Jilek, Arthur Kayzakian, Mark Robert Lewis, Sheila A. Malone, Amy Maloof, Carrie Ohm, Michael Penilla, Jenny Phelps, Charmaine Phipps, Laura Picklesimer, Elizabeth Preger, Seth Pringle, Amber Marie Smith, Roman Stollenwerk, Oliver Sutter, Sympathie Fahteague, Andrew K. Thompson, Victoria Barras Tulacro, Pamela Valfer, Robert Watkins, and meital Yaniv.


  • Installation view of “Reunion” at the Wignall Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA.
  • Installation view of “Reunion” featuring Amy Maloof, Carrie Ohm, and Jason Charles Dawes.
  • Amy Maloof, “Sad Clown,” 2019. Mixed media with found objects. 19 x 15 inches.
  • Amy Maloof, “Sad Clown,” 2019. Mixed media with found objects. 19 x 15 inches.
  • Carrie Ohm, “Below the Surface,” 2022. Ceramic, wood, and paint. 41 x 11 x 11 inches.
  • Jason Charles Dawes, “Everything You'll Ever Need. In One Neat Little Package.,” 2021. Magazine pages, paper, glue on paper mounted to mat board. 20.5 x 20.5  inches (framed).
  • Michael Penilla, “ROYGBIV cups,” 2022. Porcelain. 5 inches tall each.
  • Michael Penilla, “ROYGBIV cups,” 2022. Porcelain. 5 inches tall each.
  • Installation view of “Reunion” featuring Michael Penilla and Mark Robert Lewis.
  • Mark Robert Lewis, “North Hollywood,” 2022. Acrylic on canvas. 64 x 48 inches.
  • Installation view of “Reunion” featuring Oliver Sutter, Elizabeth Preger, and Daniel Jacobo.
  • Oliver Sutter, “Darth Vader and Kilo Ren Play Croquet in Heaven,” 2022. Oil on canvas. 16 x 32 inches.
  • Elizabeth Preger, “Towards a resplendent portraiture, Lusi & Tulio,” 2020. Archival pigment print. 36 x 24 inches.
  • Daniel Jacobo, “Troika - Royalty in Exile,” 2022. Acrylic and collage on canvas. 24 x 48 inches.
  • Mary Beierle, “Excavation Series, 92, The Tempest,” 2022. Porcelain, glazes, minerals, and oxides. 14 x 23 x 13 inches.
  • Mary Beierle, “Excavation Series, 92, The Tempest,” 2022. Porcelain, glazes, minerals, and oxides. 14 x 23 x 13 inches.
  • Installation view of “Reunion” featuring Mary Beierle, Elizabeth Preger, Daniel Jacobo, and Stanton Hunter.
  • Stanton Hunter, “Pandemic Still Life (Cocoon & Pots),” 2022. Ceramic. 14 x 36 x 12 inches.
  • Stanton Hunter, “Pandemic Still Life (Cocoon & Pots),” 2022. Ceramic. 14 x 36 x 12 inches.
  • Stanton Hunter, “Pandemic Still Life (Cocoon & Pots),” 2022. Ceramic. 14 x 36 x 12 inches.
  • Installation view of “Reunion” featuring Seth Pringle and Sympahie Fahteague.
  • Seth Pringle, “Untitled,” 2022. Acrylic on cement and fabric. 30 x 18 inches.
  • Sympathie Fahteague, “Ongoing Daily Practice,” 2020 -2022. Colored pencil, oil pastel, and acrylic on paper; mixed media sculpture. Dimensions variable.
  • Sympathie Fahteague, “Ongoing Daily Practice,” 2020 -2022. Colored pencil, oil pastel, and acrylic on paper; mixed media sculpture. Dimensions variable.
  • Sympathie Fahteague, “Ongoing Daily Practice,” 2020 -2022. Colored pencil, oil pastel, and acrylic on paper; mixed media sculpture. Dimensions variable.
  • Installation view of “Reunion” at the Wignall Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA.
  • meital yaniv, “bloodlines,” 2020. Projection. Dimensions variable.
  • meital yaniv, “bloodlines,” 2020. Projection. Dimensions variable.
  • Brian Benfer, “Untitled (HLE-127),” 2022. Ceramic. 9 x 8 x 8 inches.
  • Brian Benfer, “Untitled (HLE-127),” 2022. Ceramic. 9 x 8 x 8 inches.
  • Brice Bischoff, “How Close,” 2021. Archival pigment print from large format negative. 28 x 24 inches (framed).
  • Brice Bischoff, “How Close,” 2021. Archival pigment print from large format negative. 28 x 24 inches (framed).
  • Brice Bischoff, “How Close,” 2021. Archival pigment print from large format negative. 28 x 24 inches (framed).
  • Brice Bischoff, “How Close,” 2021. Archival pigment print from large format negative. 28 x 24 inches (framed).
  • Amber Marie Smith, “Spiral,” 2021. Ceramic and acrylic paint. 10.5 x 9.5 x 9.5 inches.
  • Amber Marie Smith, “Spiral,” 2021. Ceramic and acrylic paint. 10.5 x 9.5 x 9.5 inches.
  • Amber Marie Smith, “Spiral,” 2021. Ceramic and acrylic paint. 10.5 x 9.5 x 9.5 inches.
  • Installation view of “Reunion” featuring Amber Marie Smith, Brice Bischoff, Roman Stollenwerk, and Kent Hammond.
  • Installation view of “Reunion” featuring Roman Stollenwerk and Kent Hammond.
  • Roman Stollenwerk, “Corner Painting (Scorpion),” 2022. Acrylic and shellac over magazine pages and wallpaper paste on Maisonite with jute webbing. 80 x 30 inches flat.
  • Roman Stollenwerk, “Corner Painting (Scorpion),” 2022. Acrylic and shellac over magazine pages and wallpaper paste on Maisonite with jute webbing. 80 x 30 inches flat.
  • Kent Hammond, “Blue and Reds,” 2021. Acrylic on shaped wood panel. 23 x 15.75 inches.
  • Installation view of “Reunion” featuring Jenny Phelps and Andrew K. Thompson.
  • Jenny Phelps, “4647 #1,” 2022. Collage (paper, rubbings and found materials), graphite and colored pencil. 18 x 18 inches.
  • Andrew K. Thompson, “Punctured Orange Tree - Bleeding with Blue Embroidery,” 2021. Chemically altered Chromogenic print accentuated with thread and embroidery floss. 20 x 16 inches.
  • Installation view of “Reunion” at the Wignall Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA.
  • Pamela Valfer, “Dome Fire by Dome Fire (Joshua Tree),” 2021. 18 x 24 inches.
Pamela Valfer, “Wolsey Fire by Wolsey Fire (Malibu),” 2022. 18 x 24 inches.
  • Pamela Valfer, “Dome Fire by Dome Fire (Joshua Tree),” 2021. Found charcoal on paper. 18 x 24 inches.
  • Pamela Valfer, “Wolsey Fire by Wolsey Fire (Malibu),” 2022. Found charcoal on paper. 18 x 24 inches.
  • Installation view of “Reunion” featuring Pamela Valfer, Cj Jilek, Amber Smith, and Brice Bischoff.
  • Cj Jilek, “Grevillea Robusta,” 2021. Ceramic. 6 x 6.5 x 5 inches.
Cj Jilek, “Erinaceinae Androecium,” 2022. Ceramic. 4.5 x 3 x 2 inches.
  • Cj Jilek, “Grevillea Robusta,” 2021. Ceramic. 6 x 6.5 x 5 inches.
Cj Jilek, “Erinaceinae Androecium,” 2022. Ceramic. 4.5 x 3 x 2 inches.
  • Installation view of “Reunion” featuring Cj Jilek and Brice Bischoff.
  • Installation view of “Reunion” at the Wignall Museum of Contemporary Art, Chaffey College, Rancho Cucamonga, CA.
  • Brody Albert, “Western Union (2),” 2022. Painted wood. 52 x 52 x 24 inches.
  • Brody Albert, “Western Union (2),” 2022. Painted wood. 52 x 52 x 24 inches.
  • Brody Albert, “Western Union (2),” 2022. Painted wood. 52 x 52 x 24 inches.
  • Mark Batongmalaque, “4 Portraits Out of 32,” 2021. Acrylic on canvas. 20 x 16 inches.
  • Mark Batongmalaque, “4 Portraits Out of 32,” 2021. Acrylic on canvas. 20 x 16 inches.
  • Mark Batongmalaque, “4 Portraits Out of 32,” 2021. Acrylic on canvas. 20 x 16 inches.
  • Installation view of “Reunion” featuring Robert Watkins, Kevin Eichorst, and Cabrina Alviar.
  • Robert Watkins, “Horologion,” 2022. Oil on canvas. 48 x 30 inches.
  • Kevin Eichorst, “Present Future Self,” 2020. Mixed media and archival pigment print. 16 x 26 inches.
  • Cabrina Alviar, “Thankful To Be Healthy,” 2020. Digital photograph. Dimensions variable.
  • Cabrina Alviar, “Together,” 2020. Digital photograph. Dimensions variable.
  • Cabrina Alviar, “Unjust Suffering,” 2020. Digital photograph. Dimensions variable.
  • Haylee Bolinger, “Jack Lemon & Walter Math’How,” 2022. Steel. 30 inches tall.
  • Haylee Bolinger, “Jack Lemon & Walter Math’How,” 2022. Steel. 30 inches tall.
  • Haylee Bolinger, “Jack Lemon & Walter Math’How,” 2022. Steel. 30 inches tall.
  • Haylee Bolinger, “Jack Lemon & Walter Math’How,” 2022. Steel. 30 inches tall.
  • Installation view of “Reunion” featuring Haylee Bolinger and Charity Capili Ellis.
  • Charity Capili Ellis, “Imagination Walkabout,” 2021. 18 x 56 inches.
Charity Capili Ellis, “Soar,” 2022. 11 x 7.5 inches.
  • Charity Capili Ellis, “Imagination Walkabout,” 2021. Acrylic and ink. 18 x 56 inches.
  • Charity Capili Ellis, “Soar,” 2022. Watercolor, ink, and relief print. 11 x 7.5 inches.
  • Megan Fowler-Hurst, “Hold Space,” 2022. HD digital video (1080p), TRT 10:07.
  • Sheila A. Malone, “Dykes on Bikes: Origin Stories, Part I,” 2022. HD digital video featuring animation and audio (1080p), TRT 7:29.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.
  • Charmaine Phipps, “Whimsical Garden,” 2021. Upcycled metal kitchen items. Dimensions variable.

Xavier Cázares Cortéz

A Mixed Media Site-Specific Installation
*on view in the museum lobby
October 24, 2022 – March 11, 2023

ESTE ES EL JARABE LOCO 
QUE A LOS MUERTOS RESUCITA 
QUE A LOS MUERTOS RESUCITA
SALEN DE LA SEPULTURA, MENEANDO LA CABECITA
(ALSO) 
I WANT EAGLES IN MY DAYDREAMS, DIAMONDS IN MY EYES
WE WERE BORN UPSIDE-DOWN (I'M A STAR STAR)

Access the Exhibition Guide

Presented by the Chaffey College Center for Culture and Social Justice.