Chaffey College, Wignall Museum of Contemporary Art, Home Edition. December 14, 2020 from 12:30 to 1:30 p.m.
A video meeting with seven participants.
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Nine black-and-white images of a dark-haired woman from the waist up, lying in bed, her head on a pillow. In the left three images, she has her arms crossed at her chest. In the middle three images, she has her arms extended to her sides. In the right three images, her arms are extended and her head is thrust back. A larger image is to the right of this collection of images. In it, a dark haired woman is seated on a bed, hunched over, touching one index finger to the other and looking into the distance.
Another plate of nine black-and-white photographs in rows and a single, larger photograph beside them. The photos show women in Victorian dress either sitting or standing with shrouded figures nearby. Some gauzy figures are partially superimposed on the women, some stand behind or in front of the women, and some are off to the sides.
Two photographs labeled Figure 171, Author's flashlight photographs of 31 January, 1913. In the left photo, A woman emits a white substance from her mouth. In the right photo, the substance is shown on its own against a dark background.
The title page of the book is projected as Cindy talks about it.
Figures 178 and 179 show a white substance coming from the mouth of a woman in a series of black-and-white photos.
A room with a brown floor and white walls. A woman is seated in the visible corner of the room in a long black dress that drapes over a seat we cannot see. She has both of her hands palms down on a closed book on her lap. Two hangings recall the black-and-white plates from the mentioned books. A diorama stands atop a black pedestal next to the seated woman.
One of the hangings from the closing shown in its entirety. A 4 x 3 collection of images of a woman in a black dress with a white veil in various positions over and around her face as she stands in different positions, hunching, arms down, arms across her chest, and kneeling.
Three images have female forms altered by collage. In the first, a woman in a white halter dress sits with her elbows on her knees, hands hanging down. Her head is replaced by a conch shell. In the middle piece, a woman shown from the waist up is wearing a black top. Her face is covered by part of a dark curtain. Above the curtain, a leafy mushroom has a woman's mouth in the uppermost piece. In the third image, a woman's body in a white dress is superimposed on rushing water. A white curtain hangs in front of her face.
Stills from the video feature black and white photos. One shows the back of a woman in a black, high-collared dress. A white scarf covers her face, but we see her short black hair from the back. The second image shows two pairs of hands with a white thread intertwined among the fingers of both.
In the first color photograph, Cynthia pulls a white filmy piece from her mouth. In the second, she spits white substance onto her skirt.
A search return for images.
A color photograph on the left shows a woman in a blue dress peeking through the holes in a wooden door. On the right is a rendering of a female body.
A photo of Maria and a photo of a book.
Two images, a sculpture and a photo of Maria Martins.
A photo of Alexeena and Duchamp.
A notebook open to show two pages of photographs to plan out the piece.
Duchamp's work Given is shown next to Black Dahlia police photographs.
Three color photographs of dead women from shows.
Two color photographs, one of a flyer of a missing woman and one of three pink crosses at a memorial. Each cross bears a name and photograph of a woman or girl.
A collage with a background of black-and-white foliage and a woman's head lying on the ground and color images of women's legs, hands and skin in the foreground.
Several similar collages.
The work comprises 55 of the collages in a layout of 5 tall by 11 long.
She shows six of the collages in this work.
Five color photos of sculptures.
Another work of collage, 3 images high and 4 across. Each has the black-and-white background and color images found in the search.
The collages are in a 6 by 7 arrangement. The backgrounds are red renderings of the body in Duchamp's "Given" work. The foregrounds contain color images in collage.
Two black-and-white images from the zine. One page has text that reads, The formless is what keeps bleeding.
Two black-and-white drawings. The first is titled, How the photograph is made. The second is titled The escape.
Nine images arranged in a 3 x 3 configuration. The images have black backgrounds and color images of women's body parts in each.
An arrangement of 6 high by 5 across black-and-white collages. They feature women's body parts in close-up or disembodied.
One collage in close-up shows a square of a fabric on fire superimposed over a woman's glitter-polished fingernails. Another detail shows a woman's head in profile with a square of other hair superimposed upon her face.
Two more details. One shows a blonde woman's head and neck with a sharp black line superimposed over her neck. Her hands appear to float in the foreground, and an abstract image covers one palm. The second detail appears to be a cracked bowl with long, finger-like appendages emerging from a crack.
two more images. One shows a candle stub burning at both ends over an abstract form. The other has abstract forms superimposed on a woman's long hair.
Next, a 3 by 3 set of collages.
A 3 by 7 collection of collages. The collages feature many frames included with the abstract forms and women's body parts.
Starting with Rebecca Trawick, the speakers are shown as they speak.
Andy Hadle
Unlabeled woman.
Another unlabeled woman.
Rebecca
www dot cindy rehm dot com. At cindy rehm. c i x o u s reading group dot wordpress dot com.
Several participants clap in frame.
The participants wave.
To learn more about Native Land Acknowledgement, please visit, u s d a c dot u s slash native land, native hyphen land dot c a.
Chaffey College Wignall Museum of Contemporary Art, Home Edition.