Chaffey College logo. Text, Wignall Museum of Contemporary Art, Home Edition. A house with a pointed roof and a chimney encloses the logo and text. Title, Wignall Museum of Contemporary Art, Artist Talk, Dulce Soledad Ibarra, December 1st, 2020 from 3 to 4 PM. Four people join a video call.
Text, Rebecca Trawick.
Roman Stollenwerk.
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Roman smiles. Text, Andy Hadle.
This program is a 45 minute presentation followed by questions and discussion. Artist Talk, Dulce Soledad Ibarra, December 1st, 2020 from 3 to 4 PM. Rebecca returns.
Rebecca smiles.
Text, Dulce Soledad Ibarra. Dulce smiles.
In a photo, young Dulce poses with hands above head and below chin. In a second photo, young Dulce gazes upward with arms flexed.
A canvas hangs on a green wall. On the canvas, yellow and blue artwork depicts a torso and left breast created with tissue paper. Suspended in front of the canvas, a sculpture of a right breast. The sculpture connects to the painting with a red filament. Three-dimensional red spirals tumble off of the painting and the breast sculpture.
On a canvas, a blue nose and red lips created with tissue paper. Across the bridge of the nose and both cheeks, a swarm of purple butterflies. Each butterfly's wings extend three-dimensionally.
On a canvas, a nude belly, hips, and upper thighs. A sculpture of a pink uterus, fallopian tubes, ovaries, and vaginal canal is attached to the canvas. Spiky purple balls dangle from the sculpture with red thread.
On an oval of artificial grass, a gilded motor.
On a video screen, Dulce's father prunes roses. On a wooden surface in front of the video, two lawn mowers with gold covers and three golden objects on ovals of artificial grass. In shadows on either side of the video, burlap sacks.
In the video, Dulce's father wears a cap and a denim workshirt. He walks next to rose bushes, then leans to prune the bottom of one bush with shears.
A red lawnmower mows grass.
Behind red roses, Dulce's father prunes rose bushes.
The lawnmower continues to mow a lawn.
Dulce's father tosses clippings from the rose bushes into a trash can.
The trash can fills with cut blossoms and leaves.
Dulce's father moves the can as he continues to prune the bushes.
The can sits on a freshly mowed lawn.
Dulce's father tosses more clippings into the can.
Text, Dulce Soledad Ibarra.
In an installation, small collectible figurines, boxes, and papers decorate the ledge, top, and bench of a yellow piano. To the right, a yellow pantry with textiles on top next to a yellow stool. The stoll is topped with a stack of objects covered with plastic. In the background, a nightstand filled with dolls.
Behind the piano, three yellow shelves, a sewing table, a nightstand, and a chest of drawers. All surfaces are covered with dolls and figurines.
The sewing table holds a sewing machine, a planter shaped like a swan, yarn, and an open notebook. In front of the table, a yellow and pink knit cover on a chair.
Dulce holds up a booklet.
A two-story paper mache building. The building is green and has bars on the windows. Three stairs lead to two orange double doors framed by two columns. There is a balcony directly above the doors.
Dulce smiles.
Text, Who do we blame for tension between art and the low-income community? On a wooden desk, paper and a container of pens with red caps.
A person grins and smashes a pinata shaped like a red and brown building while observers take photos.
Three people crouch on the ground and read white slips of paper.
In a photograph, Dulce and another person sing into a microphone. The person wraps an arm around Dulce's shoulder. Their eyes are closed.
Two signs on a chain link fence. Text on first sign, Warning, No Trespassing, Restricted Area, Keep Out, Authorized Personnel only.
On the bottom of the sign, the US Department of Homeland Security, US Customs and Border Protection logo.
Text on bottom of second sign, Warning, Weapons Prohibited.
Traffic passes beyond the border.
Elsewhere, cars move along a road.
On the graveled roadside, Dulce digs in soil with a shovel near yellow wildflowers.
Dust clouds the air as the soil falls from the shovel into a gray plastic tote. Dulce continues to dig and place soil into the plastic tote. Trucks pass by on the road.
Dulce continues to dig, pounding the shovel into the soil.
Text, Dulce Soledad Ibarra.
Dulce smiles and knits brows.
Text, Show me your efforts. Where is your birth certificate? Do you own biceps? Streamers and a disco ball hang from a ceiling. In the background, a video screen.
In a video, a CC logo in a circle on a purple background. On the set of Caso Cerrado, a host reads from a card.
The host puts down the card. Elsewhere, many monarch butterflies rest on a tree.
A drag performer sways and holds a microphone in front of a crowd of patrons seated at tables.
Text, read out loud: Honest Honey Herbs.
The drag performer continues to sway. Text, gone too soon.
is a mouth unearthed. The performer approaches a table of patrons.
Text, recommend murmur beneath the puzzled foam. say it better.
what's good anymore?
Above the performer, streamers dangle from chandeliers. Text, show me your efforts. where is your birth certificate?
do you own biceps?
A silver disco ball slowly turns among the streamers.
Illuminated with pink light on a dance floor, people shimmy and dance. Superimposed over the dance floor, video clips of telenovela scenes. Characters slap each other.
Text, Dulce Soledad Ibarra.
In front of a reflective curtain, the silhouettes of two people. The person on the right slaps the person on the left.
In an installation, a closet with two double doors made of frosted glass. The left door is open. Inside the closet, garments dangle from a silver rod on hangers.
Text, Dulce Soledad Ibarra.
Dulce looks downward.
In an installation, five striped shopping totes with handles stacked in a column.
Next to rainbow umbrellas, colorful pinatas dangle.
A distorted panoramic photo of cars parked outside of a business with a green, red, yellow, and blue striped awning.
A striped yellow and pink shirt and blue and green pants made from shopping bags. Handles emerge from the neckline and sleeve cuffs of the shirt and the waistband of the pants.
On a canvas made of pink and green shopping bags, an image of four purple striped vases with blue lines around the top of each vase. The vases are decorated with green and pink lines that radiate upward, three sunbursts, and geometric patterns.
Blue overalls with green straps. The overalls are made from shopping bags with dark blue, green, and purple stripes. Handles emerge from the front pocket and straps.
Dulce knits brows.
A photo of a closed storefront with graffiti.
A screenshot of the Instagram page for 9th to Olympic. Text, 9th to Olympic, A virtual project documenting the Pinata District of Downtown Los Angeles. A Spanish translation follows. Text, www dot Dulce Soledad Ibarra dot com. Nine photos of crafts and food in the district.
Dulce smiles. In an illustration, each letter of the word "sobrevivientes" is a pinata dangling from a red cord.
On a sidewalk outside of a party supply store, colorful letter sculptures spell "sobrevivientes," with a red virus particle pinata before the word and a green virus particle pinata after it. Behind the sculpture, a masked man stands with fists raised in a victory pose.
In an installation, colorful pinata letters spell the words "sobrevivientes," "con ganas," and "juntos."
Dulce looks downward.
Dulce does finger quotes.
Dulce grins. Text, Rebecca Trawick.
Rebecca and Dulce smile.
Dulce smiles.
Madeline waves.
Dulce grins.
Rebecca holds her palms up and smiles.
Dulce smiles.
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Rebecca waves. Chaffey College Home Edition, Wignall Museum of Contemporary Art logo. Text, Wignall Museum of Contemporary Art, Dulce Soledad Ibarra, www dot Dulce Soledad Ibarra dot com, at contemporary fart, at 9th to olympic. To learn more about Native Land Acknowledgement, please visit h t t p s colon slash slash u s d a c dot u s slash native land, h t t p s colon slash slash native dash land dot c a. Chaffey College Home Edition, Wignall Museum of Contemporary Art logo.