WEBVTT

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[ Music ]

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&gt;&gt; Johnny Fox: From Cucamonga at
Chaffey College, we welcome you

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to another night at the
Golden Age of Radio,

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featuring the haunting
stories from the inner sanctum

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and performances
by Frank Sinatra.

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&gt;&gt; Women: Oh, Frankie.

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[ Women Fainting ]

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&gt;&gt; Johnny Fox: And more.

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Here are your hosts,
Jailen and Johnny Fox.

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&gt;&gt; Jailen: Good evening,
ladies and gentlemen.

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Welcome to the Golden Age
of Radio at Chaffey College.

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Boy, are you in for
a real treat tonight.

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&gt;&gt; Johnny Fox: Why's that?

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&gt;&gt; Jailen: For tonight, I
thought it would be nice

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to have a little
something different.

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&gt;&gt; Johnny Fox: Just what
exactly do you mean?

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&gt;&gt; Jailen: I think you'll
see once we hear a word

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from our sponsor, then we'll see

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if your guest can hit
it out of the park.

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&gt;&gt; [Laughter] All right.

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&gt;&gt; [ Singing ]

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Feel sharp, feel sharp,
be sharp listen mister.

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How you fixed for blades?

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Do you have blades?

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How you fixed for blades?

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You better check.

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Please make sure
you have enough.

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Because a worn out blade
makes shaving mighty tough.

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How you fixed for blades?

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You better look.

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Gilette blue blades are neat.

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&gt;&gt; Jailen: Now I know this
evening will be quite a night.

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So you might want to
get a little snack

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to curb that craving.

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&gt;&gt; Johnny Fox: Just
what are you suggesting?

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&gt;&gt; Jailen: I'm suggesting

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that Crackerjack snack will
satisfy any sweet you got.

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Like peanut butter,
toffee, any --

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even nut mixes and
other cravings.

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Crackerjack.

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&gt;&gt; Jailen: So have you guessed?

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&gt;&gt; Johnny Fox: I'll guess

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that tonight's episode
has to do with baseball.

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&gt;&gt; Jailen: That you have.

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And the audience
hit a home run too,

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because you have a very
special performances

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for you all tonight.

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&gt;&gt; That's right, because
tonight, we've got performances

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by Moms Mabley, Pat Aranda and
the big band at Chaffey College,

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and the one and only
suave Frank Sinatra.

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&gt;&gt; Women: Oh, Frankie.

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[ Women Fainting ]

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&gt;&gt; Jailen: The night will then
be followed by a little trip

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to the ballgame with
the Abbott and Costello.

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[ Baseball Bat Cracking ]

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They will end the
evening with mysterious

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and a haunting, the
inner sanctum.

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[ Spooky Organ Music ]

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That will blow your mind.

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You'll have all this to look
forward to ladies and gentlemen.

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&gt;&gt; Johnny Fox: But stick around
as Moms Mabley is up next

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on the Golden Age of Radio.

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[ Applause ]

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&gt;&gt; Moms Mabley: Hello,
my little darlings.

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Moms got a new one for you.

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I give my children a
little slogan to carry

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on throughout the week.

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Moms slogan of the week is,

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quit it if you can't
do nothing with it.

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[ Laughter ]

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If you can find something
with it, get it.

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I have no trouble at all.

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If it wasn't for bad luck, I
wouldn't have no luck at all.

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[ Laughter ]

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Let Moms tell you what
happened in the good old days.

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You couldn't do nothing
you wanted to do.

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[ Laughter ]

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And you better saying nothing
about it, because if you did,

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they will knock your brains out.

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I can't tell you how many
times my brother got hit

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with the backhand and his
lips went way out to here.

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Look like he had on
a turtleneck sweater.

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[ Laughter ]

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Yeah, parents always
telling you what to do.

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Who you had to love,
who you had to go

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out with, who you had to marry.

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Didn't matter what
condition the man was in,

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if Daddy said so, that was it.

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[ Laughter ]

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I wasn't nothing but a
child, 14 going on 15.

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Just as cute as I want to be.

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I had hair hanging down my
back because I'm half Indian.

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And the other half, the beauty
parlor take care of it now.

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[ Laughter ]

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I was stuck with this
old puny, moldy man.

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I mean, old now.

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Santa Claus look like his son.

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[ Laughter ]

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He was older than his mother.

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[ Laughter ]

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He was so old, there came a
day where we went to a service

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because his sister had passed.

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So then after the service
minister walked up to him

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and tapped him on the shoulder.

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He said, how old are you pops?

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He said, 91.

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He said, aint no
need, you going home.

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And his brother, his brother
was older than he was.

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Yeah. Married a girl of 14.

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Mm-hmm. He ain't lived
for five days though.

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[ Laughter ]

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And it took him three days to
get the smile off of his face.

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[ Laughter ]

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Yeah, honest to goodness.

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But I was stuck with the man.

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My daddy said that
I had to marry him.

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My daddy should have been
the one to marry him.

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He's the one that liked him.

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[ Laughter ]

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Thinnest man you had
seen in your life.

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His shadow weighed
more than he did.

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[ Laughter ]

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He got out of breath
threading a needle.

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[ Laughter ]

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Yeah. Yeah, honest to goodness.

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Yeah. And he was ugly.

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Goodness, he was so ugly.

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He hurt my feelings.

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I didn't know what to do.

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[ Laughter ]

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He was so ugly, I had to
tip up on a glass just

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to get a drink of water.

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[ Laughter ]

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He was so ugly.

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He had a job at the
doctor's office.

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He had to stand by
the side of the door

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so that people could
wet themselves.

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[ Laughter ]

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There had just came a day
where I had asked him,

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did you get that number?

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He said, what number?

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I said the number of the truck
that rolled over your face.

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[ Laughter ]

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Honest to goodness,
I'm serious now.

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There came a night where I
just told him, come on, honey.

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Come on, let's be sociable.

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This man went out and
bought a case of Pepsi Cola.

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[ Laughter ]

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I don't know.

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I don't know.

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I don't know.

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[ Laughter ]

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I never thought he would die.

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I'm serious.

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I never thought he would die.

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Rap wasn't agreed with them.

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[ Laughter ]

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I never forget the day
that we got married.

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We stood up at the alter and
in front of the minister.

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The minister looked at me and
he said, will you take this man?

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I wanted somebody so badly to
come up there and say, I will.

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[ Laughter ]

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Yeah, but that never
happen though so.

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[ Laughter ]

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I never thought he would die.

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Man, I shouldn't be
talking like that.

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After all, he is dead.

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And they always say
to never say nothing

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about the dead unless
it's something good.

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He dead. Good.

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[ Laughter ]

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And I know he dead
because I had him cremated.

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Yes I did.

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I've burned him up.

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I had the chance
to get hot anyhow,

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so I guess it was worth it.

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[ Laughter ]

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Yeah, I burned him up.

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But the man over there,
wanted to call me and asked me

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if I wanted the ashes.

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I said, oh, hell no, you could
go ahead and have that too.

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I don't want nothing.

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[ Laughter ]

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I'll tell you another story.

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One day, there was a man
that was driving on the road

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and he saw a hitchhiker.

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He only saw one of them, so he
figured he could pick them up.

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Then, as he's driving,
the man asks the guy,

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where are you going, son?

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Guy says, I don't know man,

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anywhere you go is
all right with me.

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So as the man was driving
continues to talk to him,

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he passes the road that
he's supposed to go on.

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He says, goodness,
I got to get back

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on that road that I just passed.

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So that he tells
the guy and he says,

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tell me if you see
anything coming

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up on the road here
while I'm backing up.

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Guy looks around.

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He says no, I don't see
nothing coming but a dog.

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So the man backs up and tries
to get back on the road.

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And as soon as he
gets on it, bam.

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Man flies out the windshield.

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Face all cut up, arms
broken, tore up everything.

00:12:37.166 --> 00:12:40.026 align:middle
So then the man finally
as the guy, he says, man,

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I thought you said you saw
nothing coming but a dog.

00:12:42.686 --> 00:12:45.746 align:middle
And the guy says yeah,
but it was a greyhound.

00:12:46.516 --> 00:12:51.546 align:middle
[ Laughter ]

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Oh goodness.

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One day, there was a woman
in the hospital checking

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for her husband in
her hospital room.

00:13:02.826 --> 00:13:04.446 align:middle
Now see, she was badly off.

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She was dying.

00:13:06.506 --> 00:13:08.686 align:middle
She was checking for her
husband because she wanted

00:13:08.686 --> 00:13:10.876 align:middle
to give a confession
before she died.

00:13:12.406 --> 00:13:17.066 align:middle
So husband comes into the
room, is already crying,

00:13:17.066 --> 00:13:23.166 align:middle
and then woman looks up at
her husband and says, honey,

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I have a confession to make.

00:13:28.766 --> 00:13:30.256 align:middle
I'm dying, you know that.

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He says yes, baby.

00:13:32.666 --> 00:13:37.256 align:middle
I know. She says, well, honey,

00:13:37.256 --> 00:13:38.646 align:middle
there's something
I have to tell you.

00:13:38.646 --> 00:13:43.806 align:middle
I need to confess I
haven't been true to you.

00:13:43.896 --> 00:13:47.266 align:middle
I've been running
around with other men.

00:13:48.396 --> 00:13:51.096 align:middle
He says honey, I know.

00:13:51.636 --> 00:13:53.486 align:middle
That's why I poisoned you.

00:13:54.516 --> 00:14:04.716 align:middle
[ Laughter ]

00:14:05.216 --> 00:14:08.306 align:middle
Now, there was a
spelling bar at school.

00:14:09.446 --> 00:14:10.706 align:middle
There was only one of them.

00:14:11.446 --> 00:14:13.476 align:middle
And it only happened
during the nighttime.

00:14:13.476 --> 00:14:15.436 align:middle
That's where you take
your spelling classes.

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Little Johnny had to go.

00:14:17.956 --> 00:14:21.556 align:middle
So he was dressed up all nice
with his little white shirt

00:14:21.556 --> 00:14:23.266 align:middle
and tie looking all nice.

00:14:23.386 --> 00:14:27.116 align:middle
So he gets in the
classroom and he sits down.

00:14:27.356 --> 00:14:29.186 align:middle
Now a teacher, a white teacher.

00:14:30.866 --> 00:14:32.636 align:middle
points to a boy named Jimmy.

00:14:33.146 --> 00:14:37.196 align:middle
Jimmy says Jimmy, spell cat.

00:14:38.176 --> 00:14:41.306 align:middle
Jimmy walks up to the front
of the classroom turns around

00:14:41.306 --> 00:14:45.066 align:middle
and he says C-A-T, cat.

00:14:45.346 --> 00:14:49.726 align:middle
And then little Jimmy
walks back to the seat,

00:14:49.946 --> 00:14:52.526 align:middle
teacher says all right, that's
good, Jimmy that's good.

00:14:53.706 --> 00:14:56.446 align:middle
Tommy, spell rat.

00:14:57.456 --> 00:15:02.656 align:middle
Little Tommy stands
up, says R-A-T, rat.

00:15:03.976 --> 00:15:06.766 align:middle
Teacher says, all
right, that's good.

00:15:06.876 --> 00:15:07.546 align:middle
That's good.

00:15:07.546 --> 00:15:10.886 align:middle
Johnny, spell chrysanthemum.

00:15:11.516 --> 00:15:17.576 align:middle
[ Laughter ]

00:15:18.076 --> 00:15:20.886 align:middle
Little Johnny standing
over here confused.

00:15:21.746 --> 00:15:26.356 align:middle
So he asked the teacher,
white or pink?

00:15:28.286 --> 00:15:30.966 align:middle
So then the teacher says, pink.

00:15:31.616 --> 00:15:38.886 align:middle
So Johnny stands up and
he says, P-I-N-K, pink.

00:15:39.516 --> 00:16:00.076 align:middle
[ Laughter and Applause ]

00:16:00.576 --> 00:16:03.316 align:middle
I'll give you one last
story for the evening.

00:16:05.576 --> 00:16:09.316 align:middle
There was a wife, who had
a husband that passed away.

00:16:10.866 --> 00:16:15.826 align:middle
Real sad. So she
decided to go ahead

00:16:15.826 --> 00:16:21.326 align:middle
and get him a real nice casket
with real pretty letters on it.

00:16:21.326 --> 00:16:22.876 align:middle
Rest in peace.

00:16:23.376 --> 00:16:26.566 align:middle
And after the service,
she went ahead

00:16:26.566 --> 00:16:28.466 align:middle
and decided to have a wake.

00:16:29.826 --> 00:16:33.126 align:middle
Now, I don't know what y'all do.

00:16:33.386 --> 00:16:41.116 align:middle
But what we do is you
talk about everybody,

00:16:41.116 --> 00:16:41.976 align:middle
and you eat up all the food.

00:16:42.516 --> 00:16:46.996 align:middle
[ Laughter ]

00:16:47.496 --> 00:16:53.236 align:middle
Yeah. And during the wake, woman
is sitting off in the corner all

00:16:53.236 --> 00:16:56.466 align:middle
by herself crying, sobbing.

00:16:58.066 --> 00:17:03.586 align:middle
Then the old big mouth
woman, because everybody want

00:17:03.586 --> 00:17:11.616 align:middle
to be starting something,
walked up to her and asked her

00:17:11.616 --> 00:17:15.136 align:middle
and said, what are you
crying like that for?

00:17:15.406 --> 00:17:20.766 align:middle
The wife sitting there
crying, she says,

00:17:22.296 --> 00:17:24.566 align:middle
goodness gracious my
husband he's gone.

00:17:24.566 --> 00:17:26.956 align:middle
I don't know what else to do.

00:17:26.956 --> 00:17:30.166 align:middle
My poor baby is gone.

00:17:31.556 --> 00:17:35.506 align:middle
The old woman says, I still
don't know what you're crying

00:17:35.506 --> 00:17:36.296 align:middle
like that for?

00:17:37.106 --> 00:17:38.956 align:middle
You wasn't the only
one he was with.

00:17:39.516 --> 00:17:45.766 align:middle
[ Laughter ]

00:17:46.266 --> 00:17:52.416 align:middle
So the woman confused
ask, are you sure?

00:17:52.416 --> 00:17:57.846 align:middle
And then the old
woman says, honey,

00:17:58.426 --> 00:17:59.726 align:middle
I know what I'm talking about.

00:18:00.346 --> 00:18:02.216 align:middle
You wasn't the only
one he was with.

00:18:03.036 --> 00:18:05.066 align:middle
I saw him honey, I know.

00:18:05.066 --> 00:18:10.966 align:middle
So the wife walks up
to the undertaker.

00:18:12.306 --> 00:18:15.596 align:middle
She goes ahead and
asks, can I go ahead

00:18:15.596 --> 00:18:17.306 align:middle
and take off the letters
off of the casket?

00:18:17.306 --> 00:18:24.506 align:middle
And then the undertaker says,
I'm sorry, ma'am, it's too late

00:18:24.506 --> 00:18:27.786 align:middle
to take off the letters
off the casket.

00:18:29.246 --> 00:18:34.946 align:middle
So then the wife stands there
and says, well is it too late

00:18:34.946 --> 00:18:36.836 align:middle
to go ahead and add
something to it?

00:18:38.326 --> 00:18:41.026 align:middle
And then the undertaker
says, no, ma'am.

00:18:41.026 --> 00:18:42.936 align:middle
Go ahead. You can
add something to it.

00:18:44.286 --> 00:18:48.936 align:middle
So the final letters
upon the casket says rest

00:18:48.936 --> 00:18:53.116 align:middle
in peace, until we meet again.

00:18:55.086 --> 00:18:56.446 align:middle
Thank you.

00:18:57.226 --> 00:18:57.726 align:middle
Thank you.

00:18:58.516 --> 00:19:06.576 align:middle
[ Cheering and Applause ]

00:19:07.076 --> 00:19:11.636 align:middle
&gt;&gt; Jailen: That was Moms
Mabley and her standup.

00:19:11.636 --> 00:19:12.606 align:middle
&gt;&gt; Johnny Fox:After
that performance,

00:19:12.606 --> 00:19:15.026 align:middle
I know a good laugh was
definitely necessary.

00:19:15.696 --> 00:19:16.236 align:middle
Coming up.

00:19:16.576 --> 00:19:19.096 align:middle
We've got a couple more ball
hitters on the way [laughter].

00:19:19.776 --> 00:19:23.736 align:middle
&gt;&gt; Jailen: Someone's caught up
with a little baseball slang.

00:19:24.586 --> 00:19:26.066 align:middle
&gt;&gt; Johnny Fox: Well,
I do what I can.

00:19:26.776 --> 00:19:29.216 align:middle
Coming up the amazing
Frank Sinatra

00:19:29.216 --> 00:19:30.906 align:middle
to perform one of
his greatest hits.

00:19:31.146 --> 00:19:33.966 align:middle
But first Pat Aranda
and the big band

00:19:33.966 --> 00:19:35.426 align:middle
at Chaffey College
is here to perform.

00:19:36.286 --> 00:19:39.546 align:middle
All that and more after a word
from our sponsor, Busy Buddy.

00:19:39.656 --> 00:19:40.866 align:middle
So stick around.

00:19:41.516 --> 00:19:47.626 align:middle
[ Music ]

00:19:48.126 --> 00:19:50.976 align:middle
&gt;&gt; Daughter: Mother, it's
time for your medicine.

00:19:51.846 --> 00:19:55.076 align:middle
&gt;&gt; Mother: It's time
for you to [beep].

00:19:56.856 --> 00:19:57.796 align:middle
&gt;&gt; Daughter: Hear that beep?

00:19:57.796 --> 00:19:59.936 align:middle
That's the sound of Busy Buddy.

00:20:00.366 --> 00:20:03.666 align:middle
It lets me know when
my mother needs

00:20:03.856 --> 00:20:06.976 align:middle
to take her prescription [beep].

00:20:07.046 --> 00:20:12.976 align:middle
That way I can keep my eyes off
the clock with peace of mind.

00:20:13.646 --> 00:20:18.976 align:middle
&gt;&gt; Mother: I'll give you
a piece of my [beep].

00:20:19.066 --> 00:20:23.406 align:middle
&gt;&gt; Daughter: Mother gets quite
ornery when she misses her dose.

00:20:24.446 --> 00:20:26.946 align:middle
That's why I rely on Busy Buddy.

00:20:26.946 --> 00:20:28.626 align:middle
It never skips a beat.

00:20:29.666 --> 00:20:31.486 align:middle
&gt;&gt; Mother: I'll skip
you like a rock

00:20:31.486 --> 00:20:34.696 align:middle
if you don't quit
yapping like a [beep].

00:20:36.016 --> 00:20:38.886 align:middle
&gt;&gt; Daughter: Without having
to keep track of time,

00:20:38.886 --> 00:20:43.026 align:middle
I can focus on taking
care of mother.

00:20:43.026 --> 00:20:47.146 align:middle
I'm getting better
at it every day.

00:20:47.146 --> 00:20:51.306 align:middle
&gt;&gt; Mother: You couldn't hit
water if you fell out of a boat.

00:20:51.306 --> 00:20:52.686 align:middle
Why would I trust you

00:20:52.686 --> 00:20:56.796 align:middle
to do anything you
white livered [beep]?

00:20:56.796 --> 00:20:59.316 align:middle
&gt;&gt; Daughter: Here's your
prescription mother.

00:21:00.516 --> 00:21:03.736 align:middle
[ Chimes Ringing ]

00:21:04.236 --> 00:21:06.566 align:middle
Feel better now?

00:21:07.056 --> 00:21:07.676 align:middle
&gt;&gt; Mother: Oh, yes.

00:21:07.676 --> 00:21:08.486 align:middle
Thank you, dear.

00:21:08.486 --> 00:21:11.716 align:middle
I'm so glad to have an eager
beaver like you around.

00:21:11.946 --> 00:21:15.926 align:middle
I feel like an autumn
dress in a breeze.

00:21:17.146 --> 00:21:21.216 align:middle
&gt;&gt; Daughter: Busy
Buddy, for busy bodies.

00:21:22.516 --> 00:21:26.966 align:middle
[ Music ]

00:21:27.466 --> 00:21:30.236 align:middle
&gt;&gt; Johnny Fox: And we're back
on the Golden Age of Radio.

00:21:30.576 --> 00:21:31.546 align:middle
Coming up next.

00:21:31.636 --> 00:21:34.146 align:middle
We've got the big band of
Chaffey College here to perform

00:21:34.146 --> 00:21:35.896 align:middle
with the amazing Pat Aranda.

00:21:36.926 --> 00:21:39.036 align:middle
&gt;&gt; Jailen: That won't
be the only guest.

00:21:39.286 --> 00:21:42.966 align:middle
Be sure to stick around for more
songs that soothe the senses

00:21:42.966 --> 00:21:45.226 align:middle
and skits that are to die for.

00:21:45.226 --> 00:21:46.896 align:middle
But for now, please
enjoy a performance

00:21:46.896 --> 00:21:50.206 align:middle
from Chaffey College
in Cucamonga.

00:21:50.736 --> 00:21:53.006 align:middle
Pat Aranda and the big band.

00:21:54.516 --> 00:24:38.636 align:middle
[ Music and Applause ]

00:24:39.136 --> 00:24:40.996 align:middle
&gt;&gt; Jailen: Welcome back to
the Golden Age of Radio.

00:24:41.866 --> 00:24:44.946 align:middle
Up next, we have a performance
from the artist whose place

00:24:44.946 --> 00:24:48.076 align:middle
on the Billboard chart
top 100, Frank Sinatra.

00:24:48.516 --> 00:24:50.956 align:middle
&gt;&gt; Johnny Fox: Not to mention
he's about as smooth as his face

00:24:50.956 --> 00:24:52.236 align:middle
after a shave from Gillette.

00:24:52.236 --> 00:24:55.756 align:middle
&gt;&gt; Jailen: Ladies and
gentlemen, we give you the one

00:24:55.756 --> 00:24:57.716 align:middle
and only Frank Sinatra.

00:24:58.516 --> 00:25:02.796 align:middle
[ Applause ]

00:25:03.296 --> 00:25:05.706 align:middle
&gt;&gt; Women: Oh, Frankie.

00:25:05.706 --> 00:25:07.016 align:middle
[ Women Fainting ]

00:25:07.516 --> 00:25:13.516 align:middle
[ Music ]

00:25:14.516 --> 00:25:18.516 align:middle
[ Applause ]

00:25:19.516 --> 00:25:29.616 align:middle
[ Music ]

00:25:30.116 --> 00:25:35.056 align:middle
&gt;&gt; Frank Sinatra: Some
day, when I'm awfully low

00:25:35.056 --> 00:25:43.826 align:middle
and the world is cold, I can
feel a glow just thinking of you

00:25:43.826 --> 00:25:49.506 align:middle
and the way you look tonight.

00:25:50.516 --> 00:25:53.606 align:middle
[ Music ]

00:25:54.106 --> 00:26:00.756 align:middle
You're lovely, when
you smile so warm.

00:26:00.756 --> 00:26:05.466 align:middle
And your cheeks so soft,
there is nothing for me

00:26:06.056 --> 00:26:13.506 align:middle
but to love you and the
way you look tonight.

00:26:14.516 --> 00:26:18.546 align:middle
[ Music ]

00:26:19.046 --> 00:26:24.656 align:middle
With each kiss your
tenderness grows.

00:26:24.836 --> 00:26:29.236 align:middle
Tearing my fear apart.

00:26:30.206 --> 00:26:35.786 align:middle
And that laugh that
wrinkles your nose

00:26:36.236 --> 00:26:39.236 align:middle
touches my foolish heart.

00:26:39.236 --> 00:26:47.826 align:middle
Lovely, never ever change.

00:26:48.696 --> 00:26:53.696 align:middle
Keep that breathless charm,
won't you please arrange it,

00:26:54.256 --> 00:27:03.676 align:middle
because I love you and
the way you look tonight.

00:27:04.236 --> 00:27:06.976 align:middle
And take it away saxophone.

00:27:07.516 --> 00:27:30.686 align:middle
[ Music ]

00:27:31.186 --> 00:27:36.636 align:middle
Lovely and forever changed.

00:27:36.756 --> 00:27:41.496 align:middle
Keep that breathless charm,
Won't you please arrange it,

00:27:41.656 --> 00:27:48.376 align:middle
because I love you and
the way you look tonight.

00:27:49.516 --> 00:27:51.606 align:middle
[ Music ]

00:27:52.106 --> 00:27:54.916 align:middle
And the way you look tonight.

00:27:55.366 --> 00:28:02.976 align:middle
And the way you look tonight.

00:28:03.516 --> 00:28:10.546 align:middle
[ Cheering and Applause ]

00:28:11.046 --> 00:28:13.306 align:middle
&gt;&gt; Johnny Fox: Welcome back to
the Golden Age of Radio folks.

00:28:13.476 --> 00:28:15.656 align:middle
I'm your host Johnny Fox.

00:28:15.656 --> 00:28:18.526 align:middle
&gt;&gt; Jailen: And I'm Jailen, your
other host for the evening.

00:28:19.016 --> 00:28:21.076 align:middle
Now we have next
the ladies and gents

00:28:21.176 --> 00:28:23.266 align:middle
who have a little
something for you

00:28:23.266 --> 00:28:25.666 align:middle
to remind Tom he got
taken out the ballgame.

00:28:25.666 --> 00:28:27.086 align:middle
I'm talking about --

00:28:27.086 --> 00:28:28.676 align:middle
&gt;&gt; Abbott and Costello.

00:28:28.676 --> 00:28:29.756 align:middle
Who's on first?

00:28:30.516 --> 00:28:33.586 align:middle
[ Music ]

00:28:34.086 --> 00:28:35.486 align:middle
&gt;&gt; Abbott: Well Costello, I'm
going to New York with you.

00:28:35.486 --> 00:28:38.126 align:middle
You know Bookie Harris, the
Yankee's manager, gave me a job

00:28:38.126 --> 00:28:39.376 align:middle
as coach for as long
as you're on the team.

00:28:40.366 --> 00:28:42.226 align:middle
&gt;&gt; Costello: Look Abbott, if
you're going to to be the coach,

00:28:42.226 --> 00:28:43.506 align:middle
you must know all the players.

00:28:43.506 --> 00:28:45.046 align:middle
&gt;&gt; Abbott: Oh, I certainly do.

00:28:45.046 --> 00:28:48.186 align:middle
&gt;&gt; Costello: Oh, you know,
I never met the guys,

00:28:48.236 --> 00:28:49.696 align:middle
so you'll have to
tell me their names

00:28:49.696 --> 00:28:51.046 align:middle
and then I'll know who's
playing on the team.

00:28:51.696 --> 00:28:53.056 align:middle
&gt;&gt; Abbott: Oh, I'll tell
you the names all right.

00:28:53.056 --> 00:28:55.936 align:middle
But nowadays, they give
ballplayers peculiar names.

00:28:55.936 --> 00:28:57.376 align:middle
&gt;&gt; Costello: Oh, you
mean funny names?

00:28:57.486 --> 00:28:58.796 align:middle
&gt;&gt; Abbott:Strange names.

00:28:58.896 --> 00:29:00.126 align:middle
Pet names like Dizzy Dean.

00:29:00.496 --> 00:29:01.746 align:middle
&gt;&gt; Costello: Their
brother Daffy.

00:29:01.926 --> 00:29:03.316 align:middle
&gt;&gt; Abbott: Daffy names.

00:29:03.316 --> 00:29:06.876 align:middle
&gt;&gt; Costello: And
their French cousin.

00:29:06.876 --> 00:29:07.346 align:middle
&gt;&gt; French?

00:29:07.816 --> 00:29:07.976 align:middle
&gt;&gt; Costello: Goofé.

00:29:08.046 --> 00:29:09.226 align:middle
&gt;&gt; Abbott: Goofé Dean.

00:29:09.226 --> 00:29:11.306 align:middle
Well, let's see what
we have on the bags.

00:29:12.216 --> 00:29:13.186 align:middle
Who's on first.

00:29:13.186 --> 00:29:14.056 align:middle
What's on second.

00:29:14.136 --> 00:29:15.196 align:middle
I don't know's on third.

00:29:16.386 --> 00:29:17.606 align:middle
&gt;&gt; Costello: That's
what I want to find out.

00:29:17.606 --> 00:29:20.256 align:middle
&gt;&gt; Abbott: I said
Who's on first.

00:29:20.256 --> 00:29:21.106 align:middle
What's on second.

00:29:21.186 --> 00:29:22.756 align:middle
I don't know's on third.

00:29:24.286 --> 00:29:25.516 align:middle
&gt;&gt; Costello: Are
you the manager?

00:29:26.006 --> 00:29:26.456 align:middle
&gt;&gt; Abbott: Yes.

00:29:26.746 --> 00:29:28.636 align:middle
&gt;&gt; Costello: And you're
going to be the coach too?

00:29:28.756 --> 00:29:29.226 align:middle
&gt;&gt; Abbott: Yes.

00:29:30.116 --> 00:29:31.396 align:middle
&gt;&gt; Costello: And you don't
know the fellow's names?

00:29:31.846 --> 00:29:32.486 align:middle
&gt;&gt; Abbott: Well, I should.

00:29:33.486 --> 00:29:34.906 align:middle
&gt;&gt; Costello: Well,
then who's on first?

00:29:35.156 --> 00:29:35.566 align:middle
&gt;&gt; Abbott: Who.

00:29:35.966 --> 00:29:36.126 align:middle
Yes.

00:29:36.126 --> 00:29:37.936 align:middle
&gt;&gt; Costello: I want
to know his name.

00:29:39.266 --> 00:29:39.636 align:middle
&gt;&gt; Abbott: Who.

00:29:40.056 --> 00:29:41.216 align:middle
&gt;&gt; Costello: The guy on first.

00:29:41.746 --> 00:29:42.156 align:middle
&gt;&gt; Abbott: Who.

00:29:42.426 --> 00:29:44.016 align:middle
&gt;&gt; Costello: The first baseman.

00:29:44.016 --> 00:29:44.316 align:middle
&gt;&gt; Abbott: Who.

00:29:44.556 --> 00:29:45.526 align:middle
&gt;&gt; Costello: The guy playing.

00:29:46.196 --> 00:29:47.666 align:middle
&gt;&gt; Abbott: Who's on first.

00:29:47.666 --> 00:29:49.886 align:middle
&gt;&gt; Costello: I'm asking
you who's on first.

00:29:50.206 --> 00:29:51.236 align:middle
&gt;&gt; Abbott: That's
the man's name.

00:29:51.236 --> 00:29:52.066 align:middle
&gt;&gt; Costello: That's whose name?

00:29:52.766 --> 00:29:53.276 align:middle
&gt;&gt; Abbott: Yes.

00:29:53.276 --> 00:29:56.096 align:middle
&gt;&gt; Costello: Oh, well
go ahead and tell me.

00:29:56.656 --> 00:29:57.206 align:middle
&gt;&gt; Abbott: That's it.

00:29:57.526 --> 00:29:58.206 align:middle
&gt;&gt; Costello: That's who?

00:29:58.606 --> 00:29:59.136 align:middle
&gt;&gt; Abbott: Yes.

00:30:01.996 --> 00:30:04.016 align:middle
&gt;&gt; Costello: Look, you
got a first baseman?

00:30:04.536 --> 00:30:04.976 align:middle
&gt;&gt; Abbott: Certainly.

00:30:05.476 --> 00:30:06.866 align:middle
&gt;&gt; Costello: Well,
then who's on first?

00:30:07.446 --> 00:30:07.986 align:middle
&gt;&gt; Abbott: That's right.

00:30:11.266 --> 00:30:14.356 align:middle
&gt;&gt; Costello: Look, when you
pay off the first baseman every

00:30:14.356 --> 00:30:15.826 align:middle
month, who gets the money?

00:30:16.506 --> 00:30:17.036 align:middle
&gt;&gt; Abbott: He does.

00:30:17.036 --> 00:30:17.606 align:middle
Every dollar.

00:30:19.296 --> 00:30:19.926 align:middle
&gt;&gt; Costello: What
I'm trying to find

00:30:19.926 --> 00:30:21.406 align:middle
out is the fellow's
name on first base.

00:30:22.216 --> 00:30:22.626 align:middle
&gt;&gt; Abbott: Who.

00:30:23.116 --> 00:30:24.716 align:middle
&gt;&gt; Costello: The guy that gets.

00:30:25.456 --> 00:30:26.626 align:middle
&gt;&gt; Abbott: He does every dollar,

00:30:26.626 --> 00:30:28.096 align:middle
sometimes his wife comes
down and collects it.

00:30:28.616 --> 00:30:29.536 align:middle
&gt;&gt; Costello: Whose wife?

00:30:30.026 --> 00:30:30.536 align:middle
&gt;&gt; Abbott: Yes.

00:30:33.386 --> 00:30:34.606 align:middle
Look, what's wrong
with that Lou?

00:30:34.706 --> 00:30:36.856 align:middle
He's earned it.

00:30:38.046 --> 00:30:41.296 align:middle
&gt;&gt; Costello: Look, when you
sign up the first baseman,

00:30:41.296 --> 00:30:42.796 align:middle
how does he sign his name?

00:30:43.426 --> 00:30:43.796 align:middle
&gt;&gt; Abbott: Who.

00:30:44.706 --> 00:30:45.556 align:middle
&gt;&gt; Costello: The guy?

00:30:46.346 --> 00:30:46.756 align:middle
&gt;&gt; Abbott: Who.

00:30:46.976 --> 00:30:48.396 align:middle
&gt;&gt; Costello: How does he sign?

00:30:48.966 --> 00:30:50.026 align:middle
&gt;&gt; Abbott: That's how
he signs his name.

00:30:50.456 --> 00:30:51.236 align:middle
&gt;&gt; Costello: Who?

00:30:51.856 --> 00:30:52.406 align:middle
&gt;&gt; Abbott: Yes.

00:30:54.266 --> 00:30:54.976 align:middle
&gt;&gt; Costello: All
I'm trying to find

00:30:54.976 --> 00:30:57.146 align:middle
out is what's the guy's
name on first base?

00:30:57.476 --> 00:30:58.836 align:middle
&gt;&gt; Abbott: No, What
is on second.

00:30:58.836 --> 00:31:00.766 align:middle
&gt;&gt; Costello: I'm not
asking you who's on second.

00:31:01.116 --> 00:31:02.576 align:middle
&gt;&gt; Abbott: No, Who's on first.

00:31:02.576 --> 00:31:04.136 align:middle
&gt;&gt; Costello: One base at a time.

00:31:04.436 --> 00:31:05.726 align:middle
&gt;&gt; Abbott: Well, don't
change the players around.

00:31:05.766 --> 00:31:07.256 align:middle
&gt;&gt; Costello: I'm
not changing nobody.

00:31:07.976 --> 00:31:08.836 align:middle
&gt;&gt; Abbott: Take it easy, buddy.

00:31:08.956 --> 00:31:10.516 align:middle
&gt;&gt; Costello: I'm
only asking you,

00:31:10.516 --> 00:31:12.856 align:middle
who's the guy on first base?

00:31:13.306 --> 00:31:13.836 align:middle
&gt;&gt; Abbott: That's right.

00:31:14.216 --> 00:31:14.876 align:middle
&gt;&gt; Costello: Okay.

00:31:15.416 --> 00:31:15.896 align:middle
&gt;&gt; Abbott: All right.

00:31:18.796 --> 00:31:20.846 align:middle
&gt;&gt; Costello: What's the
guy's name on first base?

00:31:20.846 --> 00:31:21.996 align:middle
&gt;&gt; Abbott: No, What
is on second.

00:31:21.996 --> 00:31:24.316 align:middle
&gt;&gt; Costello: I'm not
asking you who is on second.

00:31:24.966 --> 00:31:26.806 align:middle
&gt;&gt; Abbott: Who's on first.

00:31:26.806 --> 00:31:27.646 align:middle
&gt;&gt; Costello: I don't know.

00:31:27.916 --> 00:31:29.006 align:middle
&gt;&gt; Abbott: He's on third.

00:31:30.526 --> 00:31:33.676 align:middle
&gt;&gt; Costello: Now, how
did I get on third base?

00:31:34.066 --> 00:31:35.076 align:middle
&gt;&gt; Abbott: Why, you
mentioned his name.

00:31:35.356 --> 00:31:36.746 align:middle
&gt;&gt; Costello: If I mentioned
the third baseman's name then

00:31:36.746 --> 00:31:38.326 align:middle
who did I say is playing third?

00:31:39.036 --> 00:31:41.336 align:middle
&gt;&gt; Abbott: Who's on first.

00:31:41.336 --> 00:31:42.786 align:middle
&gt;&gt; Costello: You
-- what's on base?

00:31:44.026 --> 00:31:45.276 align:middle
&gt;&gt; Abbott: What's on second.

00:31:45.646 --> 00:31:46.596 align:middle
&gt;&gt; Costello: I don't know.

00:31:47.236 --> 00:31:48.066 align:middle
&gt;&gt; Abbott: He's on third.

00:31:49.066 --> 00:31:50.636 align:middle
&gt;&gt; Costello: There I
go back on third again.

00:31:50.636 --> 00:31:55.056 align:middle
Would you just stay on third
base and don't go off it?

00:31:55.056 --> 00:31:57.096 align:middle
&gt;&gt; Abbott: All right,
what do you want to know?

00:31:57.546 --> 00:31:58.016 align:middle
&gt;&gt; Costello: Correct.

00:31:58.186 --> 00:31:59.876 align:middle
Now who's on third base?

00:32:00.546 --> 00:32:02.786 align:middle
&gt;&gt; Abbott: Why do you insist
on putting Who on third base?

00:32:02.786 --> 00:32:04.176 align:middle
&gt;&gt; Costello: What am
I putting on third?

00:32:04.956 --> 00:32:05.926 align:middle
&gt;&gt; Abbott: What is on second?

00:32:06.086 --> 00:32:08.446 align:middle
&gt;&gt; Costello: You don't
want who on second?

00:32:08.446 --> 00:32:09.526 align:middle
&gt;&gt; Abbott: Who's on first?

00:32:09.526 --> 00:32:10.386 align:middle
&gt;&gt; Costello: I don't know.

00:32:10.386 --> 00:32:10.976 align:middle
&gt;&gt; Abbott: Third base.

00:32:11.046 --> 00:32:12.396 align:middle
&gt;&gt; Costello: Third base?

00:32:14.976 --> 00:32:17.076 align:middle
Look, you got an outfield.

00:32:18.126 --> 00:32:18.516 align:middle
&gt;&gt; Abbott: Certainly.

00:32:19.106 --> 00:32:19.856 align:middle
&gt;&gt; Costello: The
left fielder's name?

00:32:20.826 --> 00:32:21.066 align:middle
&gt;&gt; Abbott: Why.

00:32:25.796 --> 00:32:29.046 align:middle
&gt;&gt; Costello: I'm not --
stay out of the field.

00:32:29.106 --> 00:32:31.726 align:middle
I'm asking you what's
the left fielder's name?

00:32:33.086 --> 00:32:33.376 align:middle
&gt;&gt; Abbott: No.

00:32:33.376 --> 00:32:34.206 align:middle
What is on second.

00:32:34.206 --> 00:32:36.306 align:middle
&gt;&gt; Costello: I'm not
asking you what's on second.

00:32:36.956 --> 00:32:38.136 align:middle
&gt;&gt; Abbott: Who's on first.

00:32:38.256 --> 00:32:39.246 align:middle
&gt;&gt; Costello: I don't know.

00:32:39.746 --> 00:32:40.376 align:middle
&gt;&gt; Abbott: Third base.

00:32:40.376 --> 00:32:41.106 align:middle
&gt;&gt; Costello: Third base.

00:32:45.046 --> 00:32:46.806 align:middle
The left fielder's name.

00:32:47.216 --> 00:32:47.786 align:middle
&gt;&gt; Abbott: Why?

00:32:48.206 --> 00:32:49.086 align:middle
&gt;&gt; Costello: Because.

00:32:49.686 --> 00:32:50.666 align:middle
&gt;&gt; Abbott: Oh, he's centerfield.

00:32:55.686 --> 00:32:58.246 align:middle
&gt;&gt; Costello: Look,
you got a pitcher?

00:32:58.986 --> 00:32:59.606 align:middle
&gt;&gt; Abbott: Certainly.

00:33:00.016 --> 00:33:00.786 align:middle
&gt;&gt; Costello: The pitchers name?

00:33:02.476 --> 00:33:02.966 align:middle
&gt;&gt; Abbott: Tomorrow.

00:33:04.296 --> 00:33:05.426 align:middle
&gt;&gt; Costello: You don't
want to tell me today?

00:33:05.426 --> 00:33:06.976 align:middle
&gt;&gt; Abbott: I'm telling you now.

00:33:07.136 --> 00:33:07.966 align:middle
&gt;&gt; Costello: Then go ahead.

00:33:08.706 --> 00:33:09.186 align:middle
&gt;&gt; Abbott: Tomorrow.

00:33:09.786 --> 00:33:10.076 align:middle
&gt;&gt; Costello: What time?

00:33:10.396 --> 00:33:12.076 align:middle
&gt;&gt; Abbott: What time what?

00:33:12.076 --> 00:33:13.926 align:middle
&gt;&gt; Costello: What time
tomorrow are you going

00:33:13.926 --> 00:33:14.976 align:middle
to tell me who's pitching?

00:33:15.676 --> 00:33:16.996 align:middle
&gt;&gt; Abbott: Now who
is not pitching?

00:33:17.196 --> 00:33:20.786 align:middle
&gt;&gt; Costello: I'll break your
arm if you say who's on first?

00:33:20.786 --> 00:33:22.586 align:middle
I want to know what's
the pitchers name?

00:33:22.586 --> 00:33:23.066 align:middle
&gt;&gt; Abbott: No, what
is on second.

00:33:24.556 --> 00:33:27.966 align:middle
&gt;&gt; Costello: I'm not
asking you who's on second.

00:33:28.566 --> 00:33:30.846 align:middle
&gt;&gt; Abbott: Who's on first.

00:33:33.336 --> 00:33:34.636 align:middle
&gt;&gt; Costello: Third base.

00:33:35.606 --> 00:33:39.716 align:middle
&gt;&gt; Abbott: Third base.

00:33:39.716 --> 00:33:43.436 align:middle
&gt;&gt; Costello: Look,
you got a catcher?

00:33:43.606 --> 00:33:43.926 align:middle
&gt;&gt; Abbott: Sure.

00:33:43.926 --> 00:33:45.376 align:middle
&gt;&gt; Costello: And
the catchers name?

00:33:45.896 --> 00:33:46.336 align:middle
&gt;&gt; Abbott: Today.

00:33:47.896 --> 00:33:48.716 align:middle
&gt;&gt; Costello: Today.

00:33:49.206 --> 00:33:51.516 align:middle
And Tomorrow's pitching.

00:33:52.136 --> 00:33:52.926 align:middle
&gt;&gt; Abbott: Now you've got it.

00:33:53.446 --> 00:33:59.246 align:middle
&gt;&gt; Costello: All we've got
is a couple days on the team.

00:33:59.246 --> 00:34:00.516 align:middle
You know, I'm a catcher too.

00:34:01.306 --> 00:34:01.976 align:middle
&gt;&gt; Abbott: Oh, so they tell me.

00:34:02.566 --> 00:34:05.076 align:middle
&gt;&gt; Costello: I get behind the
plate to do some fancy catching,

00:34:05.436 --> 00:34:09.626 align:middle
Tomorrow's pitching on my team
and a heavy hitter gets up.

00:34:09.626 --> 00:34:11.756 align:middle
Now the heavy hitter
bunts the ball.

00:34:11.846 --> 00:34:14.366 align:middle
When he bunts the ball,
me, being a good catcher,

00:34:14.366 --> 00:34:16.316 align:middle
I'm gonna throw the
guy out at first base.

00:34:16.766 --> 00:34:17.906 align:middle
So I pick up the ball
and throw it to who?

00:34:18.156 --> 00:34:20.416 align:middle
&gt;&gt; Abbott: That's the first
thing you said, right.

00:34:20.416 --> 00:34:23.016 align:middle
&gt;&gt; Costello: I don't even
know what I'm talking about.

00:34:24.846 --> 00:34:25.976 align:middle
&gt;&gt; Abbott: That's
all you have to do.

00:34:25.976 --> 00:34:30.036 align:middle
&gt;&gt; Costello: So throw
the ball to first base.

00:34:30.036 --> 00:34:30.496 align:middle
&gt;&gt; Abbott: You throw it to Who.

00:34:30.496 --> 00:34:34.336 align:middle
&gt;&gt; Costello: I throw
the ball to first base.

00:34:34.336 --> 00:34:35.536 align:middle
Now, who has it?

00:34:36.206 --> 00:34:36.726 align:middle
&gt;&gt; Abbott: Naturally.

00:34:40.036 --> 00:34:42.896 align:middle
&gt;&gt; Costello: Look, if I
throw the ball to first base,

00:34:42.896 --> 00:34:44.496 align:middle
somebody's got to get it.

00:34:45.096 --> 00:34:46.516 align:middle
Now who has it?

00:34:47.106 --> 00:34:47.756 align:middle
&gt;&gt; Abbott: Naturally.

00:34:49.666 --> 00:34:50.456 align:middle
&gt;&gt; Costello: Who?

00:34:51.246 --> 00:34:51.766 align:middle
&gt;&gt; Abbott: Naturally.

00:34:53.686 --> 00:34:54.586 align:middle
&gt;&gt; Costello: Naturally?

00:34:55.396 --> 00:34:55.896 align:middle
&gt;&gt; Abbott: Naturally.

00:34:58.706 --> 00:35:00.196 align:middle
&gt;&gt; Costello: So I
pick up the ball

00:35:00.196 --> 00:35:02.036 align:middle
and I throw it to Naturally?

00:35:02.036 --> 00:35:03.196 align:middle
&gt;&gt; Abbott: No you don't.

00:35:03.196 --> 00:35:04.676 align:middle
You throw the ball to Who.

00:35:04.676 --> 00:35:05.106 align:middle
&gt;&gt; Costello: Naturally.

00:35:05.996 --> 00:35:06.896 align:middle
&gt;&gt; Abbott: That's different.

00:35:06.976 --> 00:35:08.076 align:middle
&gt;&gt; Costello: That's what I said.

00:35:09.166 --> 00:35:10.406 align:middle
&gt;&gt; Abbott: You're
not saying it right.

00:35:10.406 --> 00:35:12.196 align:middle
&gt;&gt; Costello: I throw
the ball to naturally.

00:35:14.306 --> 00:35:16.336 align:middle
&gt;&gt; Abbott: That's natural.

00:35:16.336 --> 00:35:17.976 align:middle
You throw the ball to Who.

00:35:18.866 --> 00:35:19.656 align:middle
&gt;&gt; Costello: Naturally.

00:35:21.416 --> 00:35:21.876 align:middle
&gt;&gt; Abbott: Naturally.

00:35:21.876 --> 00:35:23.126 align:middle
&gt;&gt; Costello: Now you ask me.

00:35:23.966 --> 00:35:25.596 align:middle
&gt;&gt; Abbott: You throw
the ball to who?

00:35:25.596 --> 00:35:26.246 align:middle
&gt;&gt; Costello: Naturally.

00:35:28.556 --> 00:35:29.276 align:middle
&gt;&gt; Abbott: Naturally.

00:35:29.276 --> 00:35:29.996 align:middle
Now you ask me.

00:35:30.736 --> 00:35:32.026 align:middle
&gt;&gt; Costello: I throw
the ball who?

00:35:32.746 --> 00:35:32.976 align:middle
&gt;&gt; Abbott: Naturally.

00:35:33.126 --> 00:35:35.276 align:middle
&gt;&gt; Costello: Same as you.

00:35:35.746 --> 00:35:36.866 align:middle
The same as you.

00:35:36.866 --> 00:35:39.216 align:middle
I throw the ball the who.

00:35:39.216 --> 00:35:41.736 align:middle
Whoever it is drops the ball
and the guy runs to second.

00:35:41.736 --> 00:35:44.076 align:middle
Who picks up the ball throws
it to what, what throws it

00:35:44.366 --> 00:35:46.936 align:middle
to I don't know, I don't know
throws it back to tomorrow.

00:35:46.936 --> 00:35:47.796 align:middle
It's a triple play.

00:35:48.386 --> 00:35:51.716 align:middle
Now another gets up and it's
a long fly ball to because.

00:35:52.196 --> 00:35:55.276 align:middle
Why? I don't know,
he's on third.

00:35:55.276 --> 00:35:57.086 align:middle
And I don't give a darn.

00:35:58.096 --> 00:35:58.556 align:middle
&gt;&gt; Abbott: What?

00:35:59.006 --> 00:36:00.526 align:middle
&gt;&gt; Costello: I said
I don't give a darn.

00:36:00.526 --> 00:36:03.456 align:middle
&gt;&gt; Abbott: Well,
that's our shortstop.

00:36:04.516 --> 00:36:11.926 align:middle
[ Music and Applause ]

00:36:12.426 --> 00:36:15.726 align:middle
&gt;&gt; Jailen: Those two really
knocked it out the ballpark.

00:36:15.726 --> 00:36:16.976 align:middle
&gt;&gt; Johnny Fox: Brought
to you by Lolly's Pop.

00:36:17.516 --> 00:36:19.516 align:middle
[ Typing ]

00:36:20.031 --> 00:36:22.031 align:middle
[ Popping ]

00:36:22.046 --> 00:36:22.356 align:middle
&gt;&gt; Lolly: Hey grown-ups.

00:36:22.356 --> 00:36:23.976 align:middle
Lolly here from Lolly's Pops.

00:36:24.046 --> 00:36:27.346 align:middle
I'm going to give you the skinny

00:36:27.346 --> 00:36:31.216 align:middle
on my latest candy-on-a-stick
bouquet assortment.

00:36:31.216 --> 00:36:32.876 align:middle
There's so many new
flavors to enjoy.

00:36:33.046 --> 00:36:35.776 align:middle
Like Cream Sodalicious.

00:36:35.776 --> 00:36:36.966 align:middle
Made from real vanilla bean.

00:36:37.046 --> 00:36:41.966 align:middle
Oh, and Coco Nut, a refreshing
tropical treat you have

00:36:41.966 --> 00:36:44.946 align:middle
to be crazy not to like.

00:36:45.046 --> 00:36:48.716 align:middle
Then there's Black Lick-a-Rush.

00:36:48.716 --> 00:36:51.956 align:middle
The licorice spiral with
a cane sugar coating.

00:36:52.346 --> 00:36:59.246 align:middle
You also have to try our
Scandinavian inspired lemon pop,

00:36:59.246 --> 00:36:59.966 align:middle
Sweden Sour.

00:37:00.726 --> 00:37:02.996 align:middle
My favorite is Swirly Whirly.

00:37:02.996 --> 00:37:06.556 align:middle
A chocolate liqueur
dipped cherry

00:37:06.556 --> 00:37:08.976 align:middle
that makes me feel
all kinds of funny.

00:37:09.046 --> 00:37:16.036 align:middle
And of course we include some of
our favorite Lolly Pops classics

00:37:16.036 --> 00:37:20.346 align:middle
like Caramelt, Cinnamint,
Raisin d'état, Fruitloose,

00:37:20.346 --> 00:37:21.966 align:middle
and Monday Night Mango.

00:37:22.066 --> 00:37:25.976 align:middle
These sticky licks is the summer
treat that every kid wants.

00:37:26.046 --> 00:37:28.126 align:middle
But don't take my word for it.

00:37:28.126 --> 00:37:29.976 align:middle
I got a grown up
here to back me up.

00:37:30.276 --> 00:37:31.276 align:middle
&gt;&gt; Pop: Hi there.

00:37:31.276 --> 00:37:33.986 align:middle
This is Lolly's Pop.

00:37:33.986 --> 00:37:36.566 align:middle
Let me tell you, the
kiddos can't get enough

00:37:36.666 --> 00:37:38.896 align:middle
of the new flavors
and bright colors

00:37:38.896 --> 00:37:40.896 align:middle
in the latest assortment
from Lolly's Pops.

00:37:40.896 --> 00:37:47.466 align:middle
Plus, each candy has enough
sugar to keep their teeth strong

00:37:47.796 --> 00:37:51.436 align:middle
by breaking them down so
they can build themselves

00:37:51.436 --> 00:37:53.196 align:middle
up even better.

00:37:53.196 --> 00:37:56.766 align:middle
So whenever your kiddo
develops a new cavity, remember,

00:37:56.766 --> 00:37:59.846 align:middle
that's just their
sweet tooth asking

00:37:59.846 --> 00:38:02.876 align:middle
for another one of Lolly Pops.

00:38:03.106 --> 00:38:08.106 align:middle
&gt;&gt; Lolly: So come on,
you heard the man.

00:38:08.106 --> 00:38:11.086 align:middle
Well come on, sugar rush
to your nearest supermarket

00:38:11.086 --> 00:38:15.366 align:middle
where you can find my
latest bouquet assortment.

00:38:15.366 --> 00:38:16.976 align:middle
It hits the sweet spot.

00:38:17.516 --> 00:38:22.516 align:middle
[ Music ]

00:38:23.516 --> 00:38:26.516 align:middle
[ Roaring Crowd ]

00:38:27.016 --> 00:38:28.426 align:middle
[ Baseball Bat Cracking ]

00:38:28.426 --> 00:38:29.866 align:middle
&gt;&gt; Jailen: All right
ladies and gentlemen,

00:38:29.866 --> 00:38:33.746 align:middle
after an eventful time at the
ballgame, I believe it's time

00:38:33.746 --> 00:38:36.896 align:middle
to slow things down as we
draw to a close this evening.

00:38:37.036 --> 00:38:39.976 align:middle
As it gets a little dark --

00:38:40.516 --> 00:38:47.816 align:middle
[ Whirring ]

00:38:48.316 --> 00:38:49.976 align:middle
And the night gets
a little colder.

00:38:50.516 --> 00:38:53.576 align:middle
[ Whirring ]

00:38:54.076 --> 00:38:56.516 align:middle
We'll find that there are
just some problems worth

00:38:56.516 --> 00:38:56.976 align:middle
fighting for.

00:38:57.516 --> 00:39:01.556 align:middle
[ Spooky Sound ]

00:39:02.056 --> 00:39:06.036 align:middle
Tonight, we'll see
how Martin is dealing

00:39:06.036 --> 00:39:09.826 align:middle
with these strange acquaintances
from a special someone.

00:39:10.866 --> 00:39:11.946 align:middle
Will he be able to deal

00:39:11.946 --> 00:39:16.826 align:middle
with this mysterious
guest and their schemes?

00:39:16.826 --> 00:39:16.893 align:middle
[ Spooky Organ Music ]

00:39:16.893 --> 00:39:19.456 align:middle
&gt;&gt; Johnny Fox: Or will this
mysterious guest throw a

00:39:19.456 --> 00:39:21.336 align:middle
curveball no one sees coming?

00:39:21.516 --> 00:39:23.976 align:middle
All this up next on
the Inner Sanctum.

00:39:24.516 --> 00:39:30.516 align:middle
[ Spooky Organ Music ]

00:39:31.516 --> 00:39:34.546 align:middle
[ Door Creaking and Piano ]

00:39:35.046 --> 00:39:36.046 align:middle
&gt;&gt; Helen: Good evening, Martin.

00:39:36.046 --> 00:39:38.266 align:middle
&gt;&gt; Martin: Oh, Helen.

00:39:38.496 --> 00:39:41.816 align:middle
&gt;&gt; Helen: Please don't
stop, you're playing

00:39:41.816 --> 00:39:43.166 align:middle
so beautifully this evening.

00:39:43.806 --> 00:39:44.946 align:middle
&gt;&gt; Martin: Am I?

00:39:46.016 --> 00:39:47.876 align:middle
&gt;&gt; Helen: Yes, you're
playing as you used to.

00:39:49.516 --> 00:39:52.566 align:middle
[ Piano Cord ]

00:39:53.066 --> 00:39:55.656 align:middle
&gt;&gt; Martin: So you
noticed it as well?

00:39:56.156 --> 00:39:58.006 align:middle
&gt;&gt; Helen: What do you mean?

00:39:59.196 --> 00:40:01.106 align:middle
&gt;&gt; Martin: How badly
I'm playing.

00:40:01.106 --> 00:40:02.896 align:middle
How I'm losing my ability.

00:40:03.806 --> 00:40:06.136 align:middle
&gt;&gt; Helen: Martin,
I never said --

00:40:06.606 --> 00:40:08.496 align:middle
&gt;&gt; Martin: You never
said anything.

00:40:08.496 --> 00:40:09.606 align:middle
No one ever says anything.

00:40:09.606 --> 00:40:14.266 align:middle
But I know what they're thinking
by the way they look at me.

00:40:14.266 --> 00:40:15.116 align:middle
&gt;&gt; Helen: Martin.

00:40:15.306 --> 00:40:17.716 align:middle
&gt;&gt; Martin: It's true, isn't it?

00:40:18.326 --> 00:40:19.136 align:middle
Isn't it?

00:40:20.266 --> 00:40:21.336 align:middle
&gt;&gt; Helen: No, Martin.

00:40:21.336 --> 00:40:24.006 align:middle
I never doubted your ability
not even for a moment.

00:40:25.256 --> 00:40:30.556 align:middle
&gt;&gt; Martin: Then why did you
say I was playing as I used to?

00:40:30.786 --> 00:40:34.696 align:middle
&gt;&gt; Helen: Well, Martin, you
haven't been yourself lately.

00:40:34.996 --> 00:40:37.436 align:middle
I didn't mean anything
by that remark,

00:40:37.576 --> 00:40:40.406 align:middle
except that you appear
better this evening.

00:40:41.716 --> 00:40:44.216 align:middle
&gt;&gt; Martin: And my
music sounded better.

00:40:46.216 --> 00:40:47.976 align:middle
&gt;&gt; Helen: I never
lie to you, Martin.

00:40:48.686 --> 00:40:50.116 align:middle
Yes, it does.

00:40:51.726 --> 00:40:53.026 align:middle
&gt;&gt; Martin: Of course.

00:40:53.756 --> 00:40:56.216 align:middle
He hasn't been with
me for two days.

00:40:57.676 --> 00:40:58.316 align:middle
&gt;&gt; Helen: He?

00:40:59.216 --> 00:41:00.336 align:middle
What do you mean?

00:41:00.396 --> 00:41:02.096 align:middle
&gt;&gt; Martin: Oh, nothing Helen.

00:41:02.096 --> 00:41:03.976 align:middle
Helen you were right.

00:41:03.976 --> 00:41:05.706 align:middle
I am playing better.

00:41:05.706 --> 00:41:07.226 align:middle
I could hear it myself.

00:41:08.256 --> 00:41:10.096 align:middle
&gt;&gt; Helen: Why don't you
go on playing Martin.

00:41:10.326 --> 00:41:10.836 align:middle
&gt;&gt; Martin: Oh, I will.

00:41:11.516 --> 00:41:16.546 align:middle
[ Music ]

00:41:17.046 --> 00:41:19.196 align:middle
Oh listen to that, Helen.

00:41:19.196 --> 00:41:22.636 align:middle
This is the way Beethoven would
have wanted his music played.

00:41:23.516 --> 00:41:27.546 align:middle
[ Music ]

00:41:28.046 --> 00:41:32.326 align:middle
And listen, this -- this is one
of Beethoven's greatest pieces.

00:41:32.466 --> 00:41:35.976 align:middle
It speaks of life's
terror and mystery.

00:41:36.516 --> 00:41:44.736 align:middle
[ Scary Laughter ]

00:41:45.236 --> 00:41:49.086 align:middle
I never had trouble with
that passage before.

00:41:50.516 --> 00:41:53.706 align:middle
[ Scary Laughter ]

00:41:54.206 --> 00:41:56.696 align:middle
I can't play it.

00:41:56.786 --> 00:42:03.066 align:middle
&gt;&gt; Helen: But you've played
that passage 1000 times.

00:42:03.066 --> 00:42:04.776 align:middle
&gt;&gt; Martin: Yes, I know.

00:42:04.776 --> 00:42:06.536 align:middle
But I can't now.

00:42:08.516 --> 00:42:12.016 align:middle
[ Scary Laughter ]

00:42:12.516 --> 00:42:16.136 align:middle
I can't. I can't.

00:42:16.476 --> 00:42:17.476 align:middle
I can't.

00:42:18.216 --> 00:42:19.046 align:middle
&gt;&gt; Helen: Martin.

00:42:19.716 --> 00:42:22.266 align:middle
&gt;&gt; Martin: I was playing
so well just a moment ago

00:42:22.266 --> 00:42:24.416 align:middle
and now I can't play at all.

00:42:25.276 --> 00:42:27.006 align:middle
&gt;&gt; Helen: You haven't
been yourself lately.

00:42:27.506 --> 00:42:30.366 align:middle
You've hardly touched the
piano since you returned.

00:42:31.496 --> 00:42:35.156 align:middle
&gt;&gt; Martin: That's not
why I didn't play well.

00:42:35.156 --> 00:42:37.546 align:middle
It's -- it's him.

00:42:37.546 --> 00:42:39.056 align:middle
He is near me.

00:42:40.836 --> 00:42:41.796 align:middle
&gt;&gt; Helen: He?

00:42:41.796 --> 00:42:44.646 align:middle
That's the second time this
evening you've spoke of.

00:42:45.706 --> 00:42:48.736 align:middle
&gt;&gt; Martin: Helen I -- I
have to tell you something.

00:42:48.736 --> 00:42:51.206 align:middle
I have to tell somebody
or I'll go mad.

00:42:52.526 --> 00:42:55.176 align:middle
I don't know perhaps I am mad.

00:42:55.176 --> 00:43:00.296 align:middle
Helen, I -- there
is something I am --

00:43:01.516 --> 00:43:04.636 align:middle
[ Scary Laughter ]

00:43:05.136 --> 00:43:05.956 align:middle
&gt;&gt; Helen: Martin.

00:43:07.076 --> 00:43:13.056 align:middle
&gt;&gt; Martin: I -- I have
-- do you remember the --

00:43:15.096 --> 00:43:21.056 align:middle
the telegram that I sent
you in Rio de Janeiro?

00:43:21.576 --> 00:43:23.496 align:middle
&gt;&gt; Helen: Yes, you said the
concert did not go well.

00:43:24.206 --> 00:43:26.636 align:middle
&gt;&gt; Martin: It was the worst
performance of my career.

00:43:26.636 --> 00:43:32.866 align:middle
It was later that same night
that I first noticed it.

00:43:33.136 --> 00:43:34.506 align:middle
&gt;&gt; Helen: Noticed what?

00:43:35.316 --> 00:43:38.346 align:middle
&gt;&gt; Martin: The presence
of another being near me.

00:43:41.036 --> 00:43:42.776 align:middle
&gt;&gt; Helen: Another being?

00:43:43.636 --> 00:43:44.816 align:middle
&gt;&gt; Martin: Yes.

00:43:45.626 --> 00:43:48.216 align:middle
An invisible being.

00:43:48.216 --> 00:43:50.876 align:middle
It was he that made me
play so badly that night

00:43:50.876 --> 00:43:53.946 align:middle
and he's been near
me ever since.

00:43:55.516 --> 00:43:58.656 align:middle
[ Scary Laughter ]

00:43:59.156 --> 00:44:00.616 align:middle
&gt;&gt; Helen: An invisible being.

00:44:01.066 --> 00:44:06.426 align:middle
&gt;&gt; Martin: Helen I -- I know
it sounds strange, fantastic.

00:44:06.426 --> 00:44:08.576 align:middle
But Helen it's real.

00:44:09.456 --> 00:44:12.776 align:middle
He -- he seeks to
dominate me, to possess me.

00:44:12.776 --> 00:44:15.516 align:middle
At first he just
came in my sleep.

00:44:15.516 --> 00:44:20.146 align:middle
But now he -- he is frequently
there during my waking hours.

00:44:20.146 --> 00:44:24.286 align:middle
He controls me like a
hypnotist controls his subject.

00:44:25.716 --> 00:44:27.306 align:middle
&gt;&gt; Helen: Go on Martin.

00:44:28.376 --> 00:44:32.656 align:middle
&gt;&gt; Martin: He doesn't
speak to me directly.

00:44:33.596 --> 00:44:37.376 align:middle
He echoes my words, but
he makes his will known.

00:44:37.376 --> 00:44:40.806 align:middle
And I try to resist
him and I can't.

00:44:42.106 --> 00:44:46.466 align:middle
He hasn't taken complete control
of me yet, but I'm afraid

00:44:46.466 --> 00:44:53.506 align:middle
when he does, I -- I
don't know what I'll do.

00:44:53.746 --> 00:44:58.056 align:middle
&gt;&gt; Helen: Martin
were you despondent

00:44:58.596 --> 00:45:00.126 align:middle
after that concert in Rio?

00:45:01.646 --> 00:45:04.446 align:middle
&gt;&gt; Martin: Despondent.

00:45:04.446 --> 00:45:06.746 align:middle
You mean am I mentally unstable

00:45:06.746 --> 00:45:10.196 align:middle
because of my failure
and concert.

00:45:10.196 --> 00:45:12.536 align:middle
Yes, I thought of that.

00:45:13.046 --> 00:45:13.626 align:middle
&gt;&gt; Helen: Did you?

00:45:14.846 --> 00:45:19.506 align:middle
&gt;&gt; Martin: I thought of
every possible explanation.

00:45:19.706 --> 00:45:21.056 align:middle
I don't know.

00:45:21.166 --> 00:45:24.746 align:middle
Maybe it's a hallucination, but
I think I can prove it's real.

00:45:26.516 --> 00:45:29.546 align:middle
[ Scary Laughter ]

00:45:30.046 --> 00:45:30.476 align:middle
&gt;&gt; Horla: Maaaarrrtin.

00:45:30.476 --> 00:45:31.506 align:middle
&gt;&gt; Martin: Helen.

00:45:31.506 --> 00:45:37.706 align:middle
Helen, he -- he -- he's near us.

00:45:39.476 --> 00:45:40.376 align:middle
&gt;&gt; Helen: Near us?

00:45:41.696 --> 00:45:43.376 align:middle
&gt;&gt; Martin: Don't you
feel his presence?

00:45:45.516 --> 00:45:48.646 align:middle
[ Wind chimes and
Scary Laughter ]

00:45:49.146 --> 00:45:50.746 align:middle
&gt;&gt; Horla: Maaaarrrtin.

00:45:54.056 --> 00:45:55.416 align:middle
Did you see the curtain move?

00:45:55.496 --> 00:45:57.486 align:middle
That's -- he's in here.

00:45:57.486 --> 00:45:58.176 align:middle
He's in here.

00:45:58.446 --> 00:46:01.116 align:middle
&gt;&gt; Helen: The wind
blew those curtains.

00:46:02.626 --> 00:46:03.576 align:middle
&gt;&gt; Martin: No, no, it's him.

00:46:03.576 --> 00:46:05.156 align:middle
It's the invisible being.

00:46:05.156 --> 00:46:05.976 align:middle
He's here now.

00:46:06.516 --> 00:46:12.066 align:middle
[ Paper Rustling ]

00:46:12.566 --> 00:46:14.206 align:middle
Did you see that?

00:46:14.606 --> 00:46:15.606 align:middle
He touched the paper.

00:46:17.506 --> 00:46:19.596 align:middle
&gt;&gt; Helen: It's nothing
but the wind.

00:46:20.586 --> 00:46:22.506 align:middle
&gt;&gt; Martin: No, no, it's him.

00:46:22.556 --> 00:46:25.626 align:middle
It is -- it is him Helen.

00:46:25.626 --> 00:46:27.946 align:middle
&gt;&gt; Helen: Martin, what's wrong?

00:46:28.046 --> 00:46:28.996 align:middle
What's the matter?

00:46:28.996 --> 00:46:30.236 align:middle
&gt;&gt; Martin: He is near.

00:46:30.236 --> 00:46:34.696 align:middle
He is taking possession of me.

00:46:36.046 --> 00:46:37.196 align:middle
Taking possession.

00:46:38.476 --> 00:46:43.556 align:middle
&gt;&gt; Helen: Martin, why do you --
why do you look at me like that?

00:46:43.786 --> 00:46:44.666 align:middle
Why don't you answer me?

00:46:45.096 --> 00:46:47.386 align:middle
Why are you holding
your hands as though?

00:46:48.206 --> 00:46:49.446 align:middle
No Martin, don't touch me.

00:46:49.446 --> 00:46:51.306 align:middle
For heaven's sake, don't.

00:46:51.306 --> 00:46:52.246 align:middle
You must come out of it.

00:46:52.246 --> 00:46:52.966 align:middle
Wake up, wake up.

00:46:53.516 --> 00:46:56.516 align:middle
[ Music ]

00:46:57.516 --> 00:47:01.546 align:middle
[ Scary Laughter ]

00:47:02.046 --> 00:47:03.266 align:middle
Martin, Martin listen
to the music.

00:47:03.266 --> 00:47:05.156 align:middle
Listen to me play the
music you know and love.

00:47:05.156 --> 00:47:06.576 align:middle
You must come out of it.

00:47:06.576 --> 00:47:08.946 align:middle
Take your hands away
from my throat.

00:47:08.946 --> 00:47:09.013 align:middle
I --

00:47:09.516 --> 00:47:11.546 align:middle
[ Music ]

00:47:12.046 --> 00:47:12.976 align:middle
Martin.

00:47:13.016 --> 00:47:15.016 align:middle
[ Music ]

00:47:15.516 --> 00:47:25.606 align:middle
[ Scary Laughter ]

00:47:26.106 --> 00:47:27.326 align:middle
&gt;&gt; Martin: It's over now Helen.

00:47:27.326 --> 00:47:28.426 align:middle
He's gone.

00:47:31.036 --> 00:47:31.986 align:middle
&gt;&gt; Helen: Martin.

00:47:33.126 --> 00:47:35.446 align:middle
&gt;&gt; Martin: Helen, don't --
don't draw away from me.

00:47:35.816 --> 00:47:36.976 align:middle
I won't harm you.

00:47:37.516 --> 00:47:40.546 align:middle
[ Music ]

00:47:41.046 --> 00:47:44.976 align:middle
Helen. Helen, come back.

00:47:45.516 --> 00:47:52.616 align:middle
[ Music ]

00:47:53.116 --> 00:47:54.756 align:middle
&gt;&gt; Jailen: Well, that
was a bit of a doozy.

00:47:54.756 --> 00:47:55.946 align:middle
Wasn't it Johnny?

00:47:56.346 --> 00:47:57.116 align:middle
&gt;&gt; Johnny Fox: I'll say.

00:47:57.116 --> 00:47:58.576 align:middle
It had me on the
edge of my seat.

00:47:59.186 --> 00:48:00.966 align:middle
Tune in next Wednesday,
April 28,

00:48:00.966 --> 00:48:03.836 align:middle
to find out if the Horla comes
back to finish Martin off,

00:48:04.046 --> 00:48:06.916 align:middle
or if the Horla is just
Martin's imagination,

00:48:07.926 --> 00:48:10.976 align:middle
or has Martin entered
into the Inner Sanctum.

00:48:11.516 --> 00:48:15.546 align:middle
[ Spooky Organ Music ]

00:48:16.046 --> 00:48:17.846 align:middle
&gt;&gt; Jailen: Looks like we
reached the time to say goodbye.

00:48:19.106 --> 00:48:19.906 align:middle
&gt;&gt; Johnny Fox: A
special thank you

00:48:19.906 --> 00:48:22.796 align:middle
to our guests and
thank you to you.

00:48:23.026 --> 00:48:24.146 align:middle
Our faithful listeners.

00:48:24.626 --> 00:48:26.526 align:middle
Tune in next Wednesday for more

00:48:26.526 --> 00:48:30.866 align:middle
of the Chaffey College radio
show, the Golden Age of Radio.

00:48:31.126 --> 00:48:34.056 align:middle
Live from Cucamonga.

00:48:34.246 --> 00:48:34.896 align:middle
Goodnight.

00:48:34.896 --> 00:48:35.936 align:middle
&gt;&gt; Jailen: Goodnight.

00:48:36.516 --> 00:51:37.000 align:middle
[ Music ]

